Most authors promise themselves they’ll never look at reviews of their book, but we can never help maybe sneakily wondering if our ‘average star’ count on Amazon has gone up or whether a feature has been done on your book on the local radio (and let me tell you, Goodreads reviewers are the harshest taskmasters). But I was lucky enough to have my Robin Hood book featured on an Australian radio station
The summer of 1791 was an unusually wet one. The young schoolboy, and future Poet Laureate, Robert Southey, therefore had a lot of time on his hands. It was probably the weather that induced him to stay inside longer than usual and write a romance entitled “Harold; or, The Castle of Morford” (Bodleian MS Misc. Eng. e.21. Summary Catalogue 31777).
Joseph Ritson was a man of humble beginnings, a great scholar, a friend to the poor, and a radical, and his work had a profound influence on 19th- and 20th-century Robin Hood novels and films.
It wasn’t only men who had all the fun during the Peasants’ Revolt: Joan Smith was ‘the leader of a great band of rebellious evil-doers from Kent’. Who were these rebellious women in the Peasants’ Revolt?
Robin Hood is significant, not because of the life of any real person but because he is a symbol. So, appropriations of his name in later centuries are significant because they highlight what the name meant to people like you and I in times past.
This poem, written by Robert Southey in 1791, has never been seen before by Robin Hood scholars. It is taken from the manuscript of a novel, currently unpublished, written by Robert Southey in 1791.
“There are two kinds of immortality: that which the soul really enjoys
after this life, and that imaginary existence by which men live in
their fame and reputation. The best and greatest actions have proceeded
from the prospect of the one or the other of these; but my design is to
treat only of those who have chiefly proposed to themselves the latter
as the principal reward of their labours.”
If Twitter was around in 1819, this angry letter writer named Robin Hood–who railed against corrupt and tyrannical MPs–would probably have had an account.
Pierce Egan’s “Quintin Matsys” is like the Belgian “Les Miserables”; the people of Antwerp rise up and take to the barricades to overthrow the evil aristocrats who oppress them.
Whenever a politician proposes raising a new tax or cutting a public service, a newspaper columnist will often respond that the proposed changes are ‘Reverse Robin Hood’. Alternatively, those who look favourably upon governmental tax and finance reforms might attempt to portray the politician in question as embodying Robin Hood values.
In the earliest medieval poems, Robin Hood is devoted to the Virgin Mary. While this may seem odd, many thieves in medieval Europe had an attachment to her.
Did film completely destroy the market for Robin Hood books? Perhaps not as quickly as we might think.
Pierce Egan’s “Robin Hood” was an early Victorian bestseller. In the first edition, Egan also appended a collection of Robin Hood ballads alongside his novel, for which he provided the illustrations.
“We would have killed the king and driven out of the land all possessioners, bishops, monks, canons, and rectors of churches. We would have created kings, Walter Tyler in Kent and one each in other counties, and appointed them and we would have set fire to four parts of the city and burnt it down and divided all the precious goods found there amongst ourselves.”
Katherine Royer’s new book, “The English Execution Narrative, 1200-1700” (2015) analyses the meanings behind the often gruesome executions carried out in the medieval and early modern period.
An Early Socialist History of the Peasants’ Revolt: Charles Edmund Maurice’s “Lives of English Popular Leaders of the Middle Ages” (1875)
Charles Edmund Maurice was a Barrister, History Lecturer, and committed Christian Socialist. In 1875, he authored one of the first socialist histories of the rebellion of 1381.
Mrs. O’Neill’s story of the Peasants’ Revolt, all-but-forgotten now, reflects the political agitation leading up ot the passage of the Great Reform Act (1832)
Throughout history, art depicting the law and justice helped to legitimise the power of the courts
Robin Hood was not the only famous law breaker in medieval times. Alongside Robin Hood were figures such as Adam Bell and the subject of this blog post, the medieval pirate Thomas Dun.
“I had four blak arrows under my belt, Four for the greefs that I have felt, Four for the number of ill menne, That have opressid me now and then.”
Robin Hood has always been an awkward socialist figure, but according to William Morris (1834-1896), he prepared the way for the radical preacher, John Ball (d.1381).
Did the events of 16 August 1819 influence Walter Scott’s portrayal of Robin Hood?
I have recently been contracted by a commercial publisher to write a popular history book entitled “The Mob Reformer: The Life and Legend of Wat Tyler” which is due for publication in 2018.
This post sheds light upon another Robin Hood serial written by George Emmett entitled Robin Hood and the Archers of Merrie Sherwood which was serialised between 1868 and 1869.