
With hideous face, and tuneless note, A ballad-singer strains his throat; Roars out the life of Betty Saunders, With Turpin Dick, and Molly Flanders; Tells many woeful tragic stories, Recorded of our British worthies.
With hideous face, and tuneless note, A ballad-singer strains his throat; Roars out the life of Betty Saunders, With Turpin Dick, and Molly Flanders; Tells many woeful tragic stories, Recorded of our British worthies.
Unlike that other medieval hero and man of the people, Robin Hood, Wat Tyler does not enjoy an extensive ballad “afterlife.”
This song, first published in The Garland of Delight (1612), is perhaps the first proper ballad which features the famous rebel. It was subsequently published by Thomas Evans in “Old Ballads, Historical and Narrative” (1777) during the “age of ballad scholarship.” Presented here is a transcription of the song.
Hark ye! My Merry Men all and listen to me!
Of a very bad bishop who was a Tory!
Robin Hood hated the sheriff of Nottingham and everything he stood for, but that doesn’t mean that he objected to the sheriff keeping law and order.
By Stephen Basdeo. The popular song “Mack the Knife” was based upon the story of an eighteenth-century highwayman named Captain Macheath. This post traces the literary life of this fictional character.
Robin Hood has always been an awkward socialist figure, but according to William Morris (1834-1896), he prepared the way for the radical preacher, John Ball (d.1381).
Paper Presented to the Women’s History Network Conference, Leeds Trinity University, 16-17 September 2016.
Abstract: The earliest ballads of Robin Hood such as A Gest of Robyn Hode (c.1450) and Robin Hood and the Potter (c.1450) give no clue as to the manner of Robin Hood’s birth. This was still the case when Joseph Ritson published his influential ballad anthology entitled Robin Hood: A Collection of All the Ancient Poems, Songs, and Ballads (1795). Five years after Ritson, however, Robert Jamieson published Popular Ballads and Songs, from Tradition, Manuscripts, and Scarce Editions (1806). In that collection two new never-before-seen Robin Hood ballads appeared entitled The Birth of Robin Hood and The Wedding of Robin Hood and Little John. Jamieson had transcribed the ballads from Anna Gordon Brown of Falkland, Scotland. Although twentieth-century Robin Hood critics have derided Mrs. Brown’s ballads as being of little merit compared to earlier material, Mrs. Brown enjoyed a ‘literary afterlife’ in the tradition as Goody – the old woman who recites Robin Hood stories to dinner guests – in the first ever Robin Hood novel entitled Robin Hood: A Tale of the Olden Time (1819). The proposed paper, therefore, is intended to fit into the panel ‘Women Collectors and Collected Women’.
A forthcoming public talk to be delivered at Pontefract Castle on 8 May 2016.
“The Noble Birth and Gallant Atchievements of that Remarkable Out-Law Robin Hood. Together with a True Account of the Many Merry and Extravagant Exploits he Play’s in Twelve Several Stories” (1662)
John Dryden (1631-1700) is a significant figure in the literary history of the 17th century. In the Sixth Part of his Miscellany Poems he included an old ballad of Robin Hood. This post seeks to explain why he did this.
William Harrison Ainsworth’s novel Rookwood (1834) is the work which, along with Edward Bulwer Lytton’s lesser novel Paul Clifford (1830) imbued eighteenth-century highwaymen to legendary status. Ainsworth wanted to write a novel […]
in 1800 the story of Robin Hood’s birth appeared.
Did any women ever rob people in the 17th and 18th centuries?
Recidivism…refers to a person’s relapse into criminal behavior, often after the person receives sanctions or undergoes intervention for a previous crime.
Did people *need* the myth of a good outlaw?
The Victorians hated the ever-increasing price of rail travel just as much as we do today. In this ballad from “Punch”, Robin Hood is a ‘robbing’ Rail company boss.
According to the legend, in old age Robin Hood fell ill and went to visit his cousin, who was the Prioress of Kirklees, so that he could be bled. However, his cousin conspired with her lover, Sir Roger of Doncaster, to kill Robin. So she opened a vein, locked Robin in the upper room of the gatehouse, and let him bleed to death.
“A Lytell Geste of Robyn Hode” (c.1450) is one of the earliest Robin Hood texts, and one of the most interesting.