The Ancient Britons’ rebellion was depicted as their last gasp in the fight for independence against the domination of the Roman Empire.
John Beaumont’s Boudicca (1647) | Stephen Basdeo
How Victorians Fell in Love with American Rebels
The British people and the American people did not always like each other. The Americans had broken away from the empire in 1783 and relations remained frosty for over a century. But in the late Victorian era, British writers’ feelings about Americans began to change.
George Orwell’s Time as a Policeman in British India
Angelo Calfo briefly discusses an episode which occurred during George Orwell’s time as a policeman in Burma, British India.
Anon. ‘Robin Hood’ (1828)
The following poem, simply titled ‘Robin Hood’ appeared in “The Oriental Observer” in 1828.
The Crime of Sati
According to an ancient custom in India, widows would voluntarily mount their dead husbands’ funeral pyres and be burned alive. The British put a stop to this practice in 1829.
Charles Kinnaister: Executed for the Murder of Australian Aborigines (1838)
Broadly speaking, criminals fall into three types: heroes, buffoons, and brutes.[i] The categories are just as applicable to the eighteenth and nineteenth centuries as they are today – ‘heroes’ would be men […]
The ‘Public School’ Robin Hood: Imperial Ideology in Late-Victorian and Edwardian Children’s Books
During the late-Victorian and Edwardian period many children’s books telling the story of Robin Hood were published, such as John B. Marsh’s Robin Hood (1865), Howard Pyle’s The Merry Adventures of Robin Hood (1883), Henry Gilbert’s Robin Hood and the Men of the Greenwood (1912), and Paul Creswick’s Robin Hood and his Adventures (1917). Stephanie Barczewski argues that Robin Hood in late Victorian children’s books is an anti-imperialist figure, and she bases this assertion largely upon the fact that Robin Hood children’s books are critical of Richard I’s foreign adventures. Yet the situation was more nuanced than that: many of the late Victorian Robin Hood children’s works that were published in the period projected Robin Hood and his fellow outlaws as men who lived up to the Public School Ethos, cultivating the virtues of athleticism, fair play, chivalry, and devotion to duty. Indeed, Edward Gilliatt’s novel In Lincoln Green (1898) is even set in a very ‘Victorianised’ medieval public school. Thus these works represented the ideal qualities that young men would need if they were to serve the country, and thus, as the proposed paper argues, were subtly imperialist.