This new edition of Looke About You (1600) brings back into view a neglected early modern comic history play filled with disguise, court intrigue, and dynastic conflict. Featuring an unusual portrayal of Robin Hood as the Earl of Huntingdon, the play offers a fascinating alternative to the better-known outlaw tradition. Edited by Stephen Basdeo, this edition makes the text accessible to modern readers while preserving the character of the original quarto.
The 1832 Reform Act was a turning point in British history and set Britain on the path to democracy; read all about it in this post.
“This extensive and opulent city is now nothing but a vast heap of ruins … Earth’s womb was heard to groan with hollow roar, The dwellings tumbled, but men trembled more.”
“The reign of God was nigh. He will descend in majesty and might, confound His enemies, and destroy the impious republic; cast down the mighty from their seats; exalt the sufferers, the poor—His poor—and burn up those who had refused to come and listen to His Counsellor.”
“I have power by virtue of chance; I must be employed in doing good. Progress and Liberty!” Such were the words which came of the mouth of the Emperor of Brazil on meeting the 1800s’ most venerable author, Victor Hugo.
“John Hewlet was born in Warwickshire, the son of Richard Hewlet, a butcher, and though not bred up with his father, he was yet bred to the same employment at Leicester, from which, malicious people said he acquired a bloody and barbarous disposition.”
When the Emperor arrived ‘a number of Brazilian residents in London crowded forward to meet them’. Who were these Brazilians resident in Victorian London? Can we know a little bit more about their histories?
1848. The Chartists were down and despondent. Their third petition had been rejected by the government outright. What they needed was a new sense of purpose and, perhaps, a “Tyler” to speak to them.
Luiz Guerra’s new, and very fine, translation into English of Azevedo’s Shadow of Don Juan [‘Sombra de Don Juan’] is the first English translation of Azevedo’s poem. With great skill, as is usual of Guerra’s translations, he has largely preserved the original rhyme scheme while retaining Azevedo’s meaning.
Manuel Antônio Álvares de Azevedo (1831–52), referred to usually as Álvares de Azevedo, was Brazil’s most famous Romantic poet. Yet because his works have never been translated into English, Azevedo remains unknown to most British and American scholars.
What have historians said about Robin Hood, who he was, and the social and political context in which the early tales emerged?
After Victor Hugo’s death, and before the publication of his letters (many of which remain unpublished), Paul Maurice published Memoirs of Victor Hugo. This was not chronological autobiography but was, as Maurice […]
“when our happy credulity in all things is woefully abated, and our faith in the supernatural fled, we still retain our taste for the adventurous deeds and wild lives of brigands.”
When Ritson first started his job as High Bailiff of the Liberty of the Savoy, no one really knew what the job entailed. So Ritson decided to research the subject.
Man of Titles Won with Blood was how the radical poet Charles Cole described the Duke of Wellington in 1835. In his eyes, he was clearly not the national hero that everyone thought…
His memory, unrelieved by one noble trait, one magnanimous action, or one pure sentiment, comes down to us in chronicles, lay and secular, as one violent and tyrannical. A perfidious friend, an encroaching neighbour, a heartless and ungenerous relation.
Organized crime groups have been a menace to society for hundreds of years. Everything from a simple group of Robin Hood-style highwaymen in seventeenth-century England, to the infamous Sicilian Mafia can be considered as organized crime groups. The first recorded incident of Sicilian-influenced organized crime in the United States occurred in October of 1890 when a New Orleans Police Superintendent was executed by a group of Sicilian immigrants. But how does organise crime emerge and flourish in some parts of the world and not others? And how can we even define the term? After all, many crimes, in fact, almost all of them, require a degree of method for their execution, but not all criminals are members of organised crime gangs.
The name of Robin Hood appears in the most unlikely of places. Here we meet an orphan boy from the eighteenth century who was given the hero’s name.
Contrary to stories of Robin Hood, an outlaw’s life was not a merry one: in the 1820s, banditry in Italy was rife; at this time, a young travel writer named Charles Macfarlane was touring the country and managed to obtain a rare interview with one of these brigands.
Katherine Royer’s new book, “The English Execution Narrative, 1200-1700” (2015) analyses the meanings behind the often gruesome executions carried out in the medieval and early modern period.
My book on Wat Tyler in medieval and post-medieval literature is now available for preorder on Amazon!
In the archvies of the Bodleian Library, Oxford there is a hitherto neglected Robin Hood novel by Robert Southey entitled ‘Harold, or the Castle of Morford’ (1791). This post is a short introduction to this text.
In the 18th century, people asssumed that if you shunned work and acted like an idle apprentice, you would become a criminal.
Throughout history, art depicting the law and justice helped to legitimise the power of the courts