Did film completely destroy the market for Robin Hood books? Perhaps not as quickly as we might think.
“I had four blak arrows under my belt, Four for the greefs that I have felt, Four for the number of ill menne, That have opressid me now and then.”
Robin Hood has always been an awkward socialist figure, but according to William Morris (1834-1896), he prepared the way for the radical preacher, John Ball (d.1381).
This post sheds light upon another Robin Hood serial written by George Emmett entitled Robin Hood and the Archers of Merrie Sherwood which was serialised between 1868 and 1869.
In the late-Victorian period The Edinburgh Review wrote that ‘There is now before us such a veritable mountain of pernicious trash, mostly in paper covers, and “Price One Penny”; so-called novelettes, tales, stories of adventure, mystery and crime; pictures of school life hideously unlike reality; exploits of robbers, cut-throats, prostitutes, and rogues, that, but for its actual presence, it would seem incredible’.
In 1865 the penny dreadul “Little John and Will Scarlet” appeared, full of ideas of democracy and egalitarianism.
Paper Presented to the Women’s History Network Conference, Leeds Trinity University, 16-17 September 2016.
Abstract: The earliest ballads of Robin Hood such as A Gest of Robyn Hode (c.1450) and Robin Hood and the Potter (c.1450) give no clue as to the manner of Robin Hood’s birth. This was still the case when Joseph Ritson published his influential ballad anthology entitled Robin Hood: A Collection of All the Ancient Poems, Songs, and Ballads (1795). Five years after Ritson, however, Robert Jamieson published Popular Ballads and Songs, from Tradition, Manuscripts, and Scarce Editions (1806). In that collection two new never-before-seen Robin Hood ballads appeared entitled The Birth of Robin Hood and The Wedding of Robin Hood and Little John. Jamieson had transcribed the ballads from Anna Gordon Brown of Falkland, Scotland. Although twentieth-century Robin Hood critics have derided Mrs. Brown’s ballads as being of little merit compared to earlier material, Mrs. Brown enjoyed a ‘literary afterlife’ in the tradition as Goody – the old woman who recites Robin Hood stories to dinner guests – in the first ever Robin Hood novel entitled Robin Hood: A Tale of the Olden Time (1819). The proposed paper, therefore, is intended to fit into the panel ‘Women Collectors and Collected Women’.