
“Thou mayest be the envy of the world during the day, but night must come, and at night thou must always expect my cheering presence!”
“Thou mayest be the envy of the world during the day, but night must come, and at night thou must always expect my cheering presence!”
The Ancient Britons’ rebellion was depicted as their last gasp in the fight for independence against the domination of the Roman Empire.
Distinguished G W M Reynolds specialist, Prof. Louis James, talks about Reynolds’s only known play.
It would have fallen to the lot of a poorly paid Victorian governess to practice playing Robin Hood with children in the nursery.
Although Wat Tyler’s rebellion failed, the story was retold in plays, poetry, novels, and the rebels’ names were used as aliases in protests through the ages—this post looks at the first every play written about the events of the Peasants’ Revolt.
In 1637 Ben Jonson began work on a Robin Hood play, “The Sad Shepherd; or, a Tale of Robin Hood,” and presented an idealised, pastoral outlaw world.
Robin Hood first became an Earl in the 16th century; two relatively unknown plays had a dramatic effect upon later interpretations of the legend.