“Except for Shakespeare, Fielding was the greatest English playwright between the Middle Ages and the 19th century”–George Bernard Shaw
It was these interesting characters that represented the new cosmopolitan elite of 18th-century London. In the characters of Mister Spectator’s club was a microcosm of the people who mattered in society: the aristocracy and the middle classes.
Suddenly the middle classes “saw themselves” in fiction, so to speak. The next major novelist, Samuel Richardson, also wanted to give readers a “realistic” novel. In 1740, he published Pamela; or, Virtue Rewarded. This novel, set in readers’ own times (the 1700s for 1700s readers) was written as though it was a series of letters written by the title character, Pamela, a servant girl in the household of Lord B——, to her poorer family in the country. This format, used by many novelists since, including Bram Stoker, the author of Dracula, became known as the epistolary novel. Now, Pamela was a pure and virtuous girl, but her depraved master, Lord B, is infatuated with her. He offers her many fine things, which she refuses, because she is virtuous. He spies on her undressing through the keyhole of her room, and even attempts to rape her, but she resists him. Then at the end of the novel, Lord B is so impressed with her virtue that he marries her, to which she eventually consents, for she has in fact fallen in love with him. Richardson’s message was clear: if a woman holds on to her virtue (if she doesn’t have sex before marriage) then she will be rewarded, either in this life or the next.
In 1714 George I of Hanover ascended to the throne of the United Kingdom. Many were unhappy with their new German king and the Earl of Mar, in 1715, raised the standard of the royal house of Stuart to win back the throne for the “true” king in exile, the son of James II. A leading journalist decided to mock the rebels.
Historians and literary critics previously assumed that Joseph Ritson (1752-1803) had no knowledge of a 15th-century poem of “Robin Hood and the Monk”. They are quite wrong.
This poem, written by Robert Southey in 1791, has never been seen before by Robin Hood scholars. It is taken from the manuscript of a novel, currently unpublished, written by Robert Southey in 1791.
In 1824, the lawyer, Andrew Kapp, asked, “Do not these creatures, when they are bruised and wounded, shew an equal sense of pain with ourselves? Are not their shrieks and mournful cries, as so many, calls upon their tormentors for pity? And do not their dying pangs, and the painful convulsions of their tortured bodies, cause uneasiness in every human spectator?”
In the archvies of the Bodleian Library, Oxford there is a hitherto neglected Robin Hood novel by Robert Southey entitled ‘Harold, or the Castle of Morford’ (1791). This post is a short introduction to this text.
In 1724 a book appeared entitled A General and True History of the Robberies and Murders of the Most Notorious Pyrates (1724) which was written by a “Captain” Charles Johnson. The name […]
Criminal biographers were so committed to historical accuracy that they gave us The Life of the notorious highwayman, Sir John Falstaff.
In Henry Fielding’s novel, there was no difference between the great men in high life and those in low life.