The story of how a boy from a poor family in Grimsby got lost in Brazil and became a gaucho.
The Gringo Gaúcho: A Victorian Boy in Rio Grande do Sul | Stephen Basdeo
“Allegory to Independence” at the Museu de Arte do Rio | Stephen Basdeo
The creator is unknown, though the tapestry is small and simple enough to indicate that it was produced by a commoner. The celebration of independence is not coherent, of course, for the Brazilian monarch guides his country in the direction of that taken by the North American republic of the United States.
“Macário” (1850)—Scene I | Álvares de Azevedo [Trans. Stephen Basdeo]
“Virginity is an illusion! What is more virginlike? She who is deflowered while sleeping? Or the nun who, with burning tears, tosses and turns in her bed and breaks her finger through her habit while reading some impure romance?”
Subjects of Two Empires: Brazilians in Victorian Britain | Stephen Basdeo
When the Emperor arrived ‘a number of Brazilian residents in London crowded forward to meet them’. Who were these Brazilians resident in Victorian London? Can we know a little bit more about their histories?
Adelina, the Cigar-Seller from “Narrativas Negras” (2020) | Stephen Basdeo
Adelina began to live a double life. She remained a slave. But her unique knowledge of the town and its environs, and especially of all the places where it was easy for a person to ‘disappear’, meant that she became valuable resource for abolitionists who were on the run from the police.
Álvares de Azevedo’s “Oh, Jesus!” [Ai Jesus!] | Luiz Guerra (Trans.)
Álvares de Azevedo, was Brazil’s most famous Romantic poet. This translation of Ai Jesus! is by Luiz Guerra and the first time it has been translated into English
The Brazilian Revolution of 1848 | Stephen Basdeo
Europe clamours for the organisation of labour and preaches communism. Here the same clamour translates into the cry of ‘War on the Portuguese’.
Álvares de Azevedo’s ‘Shadow of Don Juan’ [Sombra de Don Juan] | Luiz Guerra (Trans.)
Luiz Guerra’s new, and very fine, translation into English of Azevedo’s Shadow of Don Juan [‘Sombra de Don Juan’] is the first English translation of Azevedo’s poem. With great skill, as is usual of Guerra’s translations, he has largely preserved the original rhyme scheme while retaining Azevedo’s meaning.
Álvares de Azevedo’s “Memory of Dying” [Lembrança de Morrer] | Leandro Machado (Trans.)
Leandro Machado’s translation of Brazilian Romantic poet Álvares de Azevedo’s ‘Lembrança de Morrer’ (Memory of Dying)
Dom Pedro II: The Emperor of Brazil in the Victorian Periodical Press | Stephen Basdeo
The monarchy of Pedro II, a figure who commanded respect from Conservatives and Liberals, was an ardent abolitionist whose support for the cause spelled the end of his reign.