Throughout history, art depicting the law and justice helped to legitimise the power of the courts
A FAMOUS man is Robin Hood / The English ballad-singer’s joy! / And Scotland has a thief as good, / An outlaw of as daring mood; / She has her brave ROB ROY!
The Robin Hood novelist Thomas Miller was chosen by George Vickers to continue writing “The Mysteries of London” in 1849.
Society Gets the Criminals it Deserves: The Resurrection Man from G. W. M. Reynolds’ “The Mysteries of London” (1844-45)
What makes a person commit crime? How does a person become a hardened criminal? These are questions which we ask today and which the Victorians also asked of their society? This post examines G W M Reynolds’ answer to these questions.
I have recently been contracted by a commercial publisher to write a popular history book entitled “The Mob Reformer: The Life and Legend of Wat Tyler” which is due for publication in 2018.
This post sheds light upon another Robin Hood serial written by George Emmett entitled Robin Hood and the Archers of Merrie Sherwood which was serialised between 1868 and 1869.
In the late-Victorian period The Edinburgh Review wrote that ‘There is now before us such a veritable mountain of pernicious trash, mostly in paper covers, and “Price One Penny”; so-called novelettes, tales, stories of adventure, mystery and crime; pictures of school life hideously unlike reality; exploits of robbers, cut-throats, prostitutes, and rogues, that, but for its actual presence, it would seem incredible’.