An open access version of the Robin Hood pageant Metropolis Coronata (1615), linking the outlaw myth to London’s Lord Mayor’s triumph.
An open access version of the Robin Hood pageant Metropolis Coronata (1615), linking the outlaw myth to London’s Lord Mayor’s triumph.
Zé Maria da Fortaleza’s Adventures of Robin Hood (2007) retells the outlaw legend in Brazilian cordel verse. Robin becomes leader of a woodland brotherhood resisting injustice, defeats the Sheriff through disguise and skill, wins Marian’s love, and is ultimately vindicated by King Richard, blending English folklore with Brazilian popular tradition.
The name of the Pinder to Wakefield locals is, as Shakespeare might say, ‘familiar in [their] mouths as household words’. The Pinders Fields, however, reveal an exciting history of rebellion, outlawry, and patriotism; so expressed in Robert Greene’s play in 1599 titled “The Pinner of Wakefield.”
The Victorians hated the ever-increasing price of rail travel just as much as we do today. In this ballad from “Punch”, Robin Hood is a ‘robbing’ Rail company boss.
During the nineteenth century, various authors such as John Keats, Sir Walter Scott, and Thomas Love Peacock transformed Robin Hood into a morally safe figure; a respectable outlaw hero with whom the Victorian middle classes could identify. It was not purely in literary texts that Robin Hood’s respectable status was exhibited, however, but also in material culture.
One of the reasons for the longevity of the Robin Hood legend is the fact that, in the original medieval ballads, his origins are not stated. He is simply there, in the […]