
William Holman Hunt’s painting of “The Awakening Conscience” (1853) told an all-too-familiar story: that of the working-class “kept woman” ensnared into a debauched lifestyle by an upper class man.
William Holman Hunt’s painting of “The Awakening Conscience” (1853) told an all-too-familiar story: that of the working-class “kept woman” ensnared into a debauched lifestyle by an upper class man.
This post sheds light upon another Robin Hood serial written by George Emmett entitled Robin Hood and the Archers of Merrie Sherwood which was serialised between 1868 and 1869.
In the late-Victorian period The Edinburgh Review wrote that ‘There is now before us such a veritable mountain of pernicious trash, mostly in paper covers, and “Price One Penny”; so-called novelettes, tales, stories of adventure, mystery and crime; pictures of school life hideously unlike reality; exploits of robbers, cut-throats, prostitutes, and rogues, that, but for its actual presence, it would seem incredible’.
In 1867 William Knipe authored “The Criminal Chronology of York Castle” – the most comprehensive survey of crime in Yorkshire from the medieval period to the Victorian era.
When you begin researching the original Robin Hood ballads, the names of a few late eighteenth- and early nineteenth-century antiquarians become familiar to you. The likes of Thomas Percy, an Irish Bishop […]