Tag: Paris

Painting a Pandemic: Napoleon Visiting the Sick | Stephen Basdeo

The social anarchy resulting from plague are obviously a mainstay of pop culture depictions; times of crisis often bring out the worst in humanity. Yet they can also bring out the best in humanity as well, and it is one human, at his best and most heroic, whom Antoine-Jean Gros decided to represent on canvas in 1804. The man was Napoleon Bonaparte, Emperor of the French.

The Baroness: A Novel (Part VII) | G.W.M. Reynolds

The notary sank upon a chair, gazed wildly at that brother whom he had never wished to encounter more, and in whose presence he so singularly and unexpectedly found himself: Alfred de Moirot crossed his arms on his breast, and returned the timid glance of the notary with one of scorn, indignation, and reproach. The Baroness and de Montville exchanged looks of mingled satisfaction and anxiety.

The Baroness: A Novel (Part IV) | G.W.M. Reynolds

“The days were passed in amusements of all kinds—the evenings in dancing, fétes champétres, or with music and cards. There were barges upon the canals, beautifully fitted up for the use of the visitors who were fond of water-excursions; hounds and huntsmen for the chase; and shooting apparatus for the sportsman. The ponds were filled with an abundance of fine fish; and many sought a recreation in, to me, the cruel art of angling. Thus was time whiled away on the wings of pleasure; and ennui was banished from those halls of delight.

Life of Victor Hugo | Isabel Hapgood

Whilst he was dying in May 1885, Paris was but the first mourner for all France; and the magnificent funeral pageant which conducted the pauper’s coffin, antithetically enshrining the remains considered worthy of the highest possible reverence and honours from the Champs Elysées to the Panthéon, was the more memorable from all that was foremost in French art and letters having marched in the train, and laid a leaf or flower in the tomb of the protégé Chateaubriand, the brother-in-arms of Dumas, the inspirer of Mars, Dorval, Lemaitre, Rachel, and Bernhardt, and, above all, the Nemesis of the Third Empire.

Invocation | Victor Hugo

Written by Victor Hugo and published in Les Chants des Crepuscules in 1835; Translated by George W.M. Reynolds and published in Songs of Twilight in 1836: Say, Lord! for Thou alone canst tell / Where lurks the good invisible / Amid the depths of discord’s sea— / That seem, alas! so dark to me!

The Baroness: A Novel (Part III)

The anxiety and interest which were depicted on the countenances of Eugenie and Clemence, as the count made this declaration, were most pungent in the breasts of both; and as they knew that the young nobleman was particularly cautious in the statements he usually advanced, they naturally fancied he had some just reasons to authorize the expression of his opinion with regard to the Abbé.