What would a Chartist republic look like in practice? Very few Chartist novelists discussed this question in depth, as most of them merely shined a light on social issues of the day. G W M Reynolds, however, used the fictional Italian state of Castelcicala in The Mysteries of London as a ‘laboratory’ in which his progressive theories of government might be tested.
Stephen Basdeo The Following was a lecture delivered by Stephen Basdeo at Richmond: The American International University on Wednesday 18 November 2020 to students in GEP4180: Organised Crime in Popular Culture. Although […]
“I only strive to arouse the grovelling spirit of the industrious millions to a sense of the wrongs under which they labour.”
When “Upperworld” and “Underworld” Meet: Social Class and Crime in “The Mysteries of London (1844-46)
Rich people commit greater crimes than their poorer counterparts, but they are at their most dangerous when members of the “upperworld” and “underworld” work together.
After G W M Reynolds and Thomas Miller decided to stop writing Victorian crime novel “The Mysteries of London”, E. L. Blanchard took up the narrative with a brand new story with original characters.
Society Gets the Criminals it Deserves: The Resurrection Man from G. W. M. Reynolds’ “The Mysteries of London” (1844-45)
What makes a person commit crime? How does a person become a hardened criminal? These are questions which we ask today and which the Victorians also asked of their society? This post examines G W M Reynolds’ answer to these questions.
This is the text of a public talk given at Abbey House Museum, Kirkstall, Leeds on 1 March 2015 to complement their Crime and Punishment Exhibition.