“This extensive and opulent city is now nothing but a vast heap of ruins … Earth’s womb was heard to groan with hollow roar, The dwellings tumbled, but men trembled more.”
The CONFLAGRATION, to which a new face of Nature will accordingly succeed, New Heavens and a New Earth, Paradise renew’d, and so it is called the restitution of things, or Regeneration of the World’
“Um homem que, em uma era bárbara e sob uma tirania complicada, demonstrou um espírito de liberdade e independência.”
“Except for Shakespeare, Fielding was the greatest English playwright between the Middle Ages and the 19th century”–George Bernard Shaw
What a minister needed to succeed in a political career was, therefore, not the confidence of the House of Commons but the confidence of the king.
After Victor Hugo’s death, and before the publication of his letters (many of which remain unpublished), Paul Maurice published Memoirs of Victor Hugo. This was not chronological autobiography but was, as Maurice […]
When Ritson first started his job as High Bailiff of the Liberty of the Savoy, no one really knew what the job entailed. So Ritson decided to research the subject.
With hideous face, and tuneless note, A ballad-singer strains his throat; Roars out the life of Betty Saunders, With Turpin Dick, and Molly Flanders; Tells many woeful tragic stories, Recorded of our British worthies.
The following lines were written by the antiquary Joseph Ritson (1752–1803) and were first printed in the Newcastle Miscellany in 1772, then later as a standalone tract.
Legend has it that Ragnar composed his “Death Song” as he lay in the pit of snakes waiting to die, the sentence upon him having been passed by the Anglo-Saxon Northumbrian King Aelle. Stephen Basdeo examines the publication of this ancient song.
It was these interesting characters that represented the new cosmopolitan elite of 18th-century London. In the characters of Mister Spectator’s club was a microcosm of the people who mattered in society: the aristocracy and the middle classes.
Suddenly the middle classes “saw themselves” in fiction, so to speak. The next major novelist, Samuel Richardson, also wanted to give readers a “realistic” novel. In 1740, he published Pamela; or, Virtue Rewarded. This novel, set in readers’ own times (the 1700s for 1700s readers) was written as though it was a series of letters written by the title character, Pamela, a servant girl in the household of Lord B——, to her poorer family in the country. This format, used by many novelists since, including Bram Stoker, the author of Dracula, became known as the epistolary novel. Now, Pamela was a pure and virtuous girl, but her depraved master, Lord B, is infatuated with her. He offers her many fine things, which she refuses, because she is virtuous. He spies on her undressing through the keyhole of her room, and even attempts to rape her, but she resists him. Then at the end of the novel, Lord B is so impressed with her virtue that he marries her, to which she eventually consents, for she has in fact fallen in love with him. Richardson’s message was clear: if a woman holds on to her virtue (if she doesn’t have sex before marriage) then she will be rewarded, either in this life or the next.
Stephen Basdeo The Following was a lecture delivered by Stephen Basdeo at Richmond: The American International University on Wednesday 18 November 2020 to students in GEP4180: Organised Crime in Popular Culture. Although […]
“A few remarks on that abominable traffic, the SLAVE TRADE, which, to the disgrace of Europe, has not yet ceased to exist, although the efforts of England have been so long directed to its abolition.”
In 1817 the press, politicians, and the public had Robert Southey in their sights; a play, written nearly 2 decades previously and containing “problematic” ideas, was unearthed. A media storm ensued. But instead of pandering to the media mob Southey refused to apologise and, what is more, called out his critics’ hypocrisy.
“Something more goes to the composition of a fine murder than two blockheads to kill and be killed—a knife—a purse—and a dark lane. Design, gentlemen, grouping, light and shade, poetry and sentiment, are now deemed indispensable to attempts of this nature.”
In 1714 George I of Hanover ascended to the throne of the United Kingdom. Many were unhappy with their new German king and the Earl of Mar, in 1715, raised the standard of the royal house of Stuart to win back the throne for the “true” king in exile, the son of James II. A leading journalist decided to mock the rebels.
‘The truth and nothing but the truth’—it’s a well-known phrase used in courts of law and most of us have heard it on TV dramas. But where did the phrase first come from?
Universal suffrage was not achieved in England until 1918. However, a century-and-a-half before, one brave aristocrat proposed that all men have the right to vote. And he proposed this in the House of Lords of all places!
As Du Vall approached the carriage he and looked into the window flashing his huge pistol, he exclaimed: “Those eyes of yours, madam, have undone me. I am captivated with that pretty good-natured smile.”
Adam Bell, Clim of the Clough, and William of Cloudesley were outlaws who were as famous as Robin Hood. Now they’re entirely forgotten!
Historians and literary critics previously assumed that Joseph Ritson (1752-1803) had no knowledge of a 15th-century poem of “Robin Hood and the Monk”. They are quite wrong.
In 1832, the publisher Charles Knight had a bright idea: every Saturday he would publish a new magazine which whose aim was to educate working-class readers about their world. It would not contain news, and would therefore be exempt from the Stamp Tax (the much-hated “tax on knowledge”), meaning that its retail price would be very low at only 1d.
In the 18th century, a man could vote twice. He also expected to be paid expenses if he had to travel to vote. He also expected to be wined and dined by the