Johnson’s Lives of the Highwaymen was part of one of the most popular genres of early eighteenth-century literature: the criminal biography.
Charles Johnson’s ‘Lives of the Highwaymen’ (1734)
Rogues in Early Modern England
The word ‘rogue’ was not invented until the 1560s.
Sir John Falstaff, the Notorious Highwayman
Criminal biographers were so committed to historical accuracy that they gave us The Life of the notorious highwayman, Sir John Falstaff.
Christmas in Newgate Gaol
In 1863 a reporter decided to experience what it was like to spend Christmas Day amongst the felons in Newgate.
John Dryden’s “A Ballad of Bold Robin Hood, Shewing his Birth, Breeding, and Valour”
John Dryden (1631-1700) is a significant figure in the literary history of the 17th century. In the Sixth Part of his Miscellany Poems he included an old ballad of Robin Hood. This post seeks to explain why he did this.
Jackson’s Recantation (1674)
or, The Life and Death of the Notorious High-Way-Man, Now Hanging in Chains at Hampstead, Delivered to a Friend a Little before Execution: Wherein is Truly Discovered the Whole Mystery of that Wicked and Fatal Profession of Padding on the Road (1674)
James MacLean (1724-1750): The Gentleman Highwayman
James Maclean (1724-1750) – the last ‘heroick’ highwayman.
Walter Scott’s Influence Upon 19th-Century Medieval Scholarship
Examining how Scott’s fictional interpretation of the Middle Ages, in particular the notion that Robin Hood was a Saxon yeoman, influenced historical scholarship in the early-to-mid nineteenth century.
Daniel Defoe’s “The History and Real Adventures of Robin Hood”
I recently came across an obscure little book entitled The History and Real Adventures of Robin Hood and his Merry Companions. Written by Captain Charles Johnson. To Which are added, some of the most favourite ballads from an old book, entitled Robin Hood’s Garland (1800). The archival entry lists the author as Daniel Defoe (c.1660-1731),
“A Lytell Geste of Robyn Hode” (c.1450): Alleviating the Fear of Crime in Late Medieval & Early Modern England?
Did people *need* the myth of a good outlaw?
What is a book?
Do we read ‘books,’ or do we read texts? What is a book?
Robin Hood: Illustrating an Outlaw
This is a copy of the paper I gave at the British Association for Romantic Studies International Conference, 19 – 19 July 2015.
Greatness vs. Goodness in Henry Fielding’s “Jonathan Wild” (1743)
In Henry Fielding’s novel, there was no difference between the great men in high life and those in low life.
The Worst Novel I’ve Ever Read: Samuel Richardson’s “Pamela” (1740)
I feel bad writing about something like this, like I’m betraying my eighteenth-century roots.
Penny Dreadful Illustrations: Edward the Black Prince (1854)
Pierce Egan the Younger (1814-1880) was like the George R. R. Martin of his day. He loved the medieval period,
Criminality in Dickens’ Oliver Twist (1838)
The 19th-century criminal was an altogether different species of villain compared to the romantic highwayman a century previously.
The English Rogue (1665)
Exorbitancy and Necessity frequently compelled him to perpetrate Villainy; And no wonder, since he lived in the most infectious Air of the worst of most Licentious Times.
Eugene Sue’s “The Mysteries of Paris” (1843)
Eugene Sue’s “The Mysteries of Paris” marked the emergence of a new genre: the urban gothic.
The Novel and 18th-Century Criminal Biography
The novel emerged as the dominant literary form in the 1700s, but one of its influences was the contemporary genre of criminal biography.
“Bad” Prince John? Representations of the Prince in the Robin Hood Legend, c.1600-c.1800
Prince John is now one of the stock villains of movie and television adaptations of the Robin Hood legend, but this wasn’t always the case…