I am participating on a round table discussion on this novel at a forthcoming conference, and have used my notes to write a review.
I am participating on a round table discussion on this novel at a forthcoming conference, and have used my notes to write a review.
Although taking their inspiration primarily from the medieval period, the Pre-Raphaelites never painted Robin Hood. William Windus’ “The Outlaw”, however, bears a suspicious likeness to Robin Hood.
For International Women’s Day, I discuss Thomas Love Peacock’s ground-breaking novel “Maid Marian” (1822).
Walter Scott’s novel “Ivanhoe” (1819) is perhaps the best Robin Hood story ever written.
An atheist, monarchy-hating, Robin Hood scholar.
The penny dreadful author that you’ve never heard of…
“The Noble Birth and Gallant Atchievements of that Remarkable Out-Law Robin Hood. Together with a True Account of the Many Merry and Extravagant Exploits he Play’s in Twelve Several Stories” (1662)
John Dryden (1631-1700) is a significant figure in the literary history of the 17th century. In the Sixth Part of his Miscellany Poems he included an old ballad of Robin Hood. This post seeks to explain why he did this.
Examining how Scott’s fictional interpretation of the Middle Ages, in particular the notion that Robin Hood was a Saxon yeoman, influenced historical scholarship in the early-to-mid nineteenth century.
Did people *need* the myth of a good outlaw?
In the 16th century there was an understanding among some thinkers that Christ may have died on a simple wooden stake or tree, rather than a two beam cross, and similarly the Geste of Robyn Hode makes reference to “Cryst that dyed on a tree”.
According to the legend, in old age Robin Hood fell ill and went to visit his cousin, who was the Prioress of Kirklees, so that he could be bled. However, his cousin conspired with her lover, Sir Roger of Doncaster, to kill Robin. So she opened a vein, locked Robin in the upper room of the gatehouse, and let him bleed to death.
Pierce Egan the Younger (1814-1880) was like the George R. R. Martin of his day. He loved the medieval period,
The ‘long eighteenth century’ (c.1688-c.1837) is not a period that people usually associate with medievalism…but the subject of this post is the play “King Arthur, or the British Worthy” (1691) by John Dryden and Henry Purcell.
The Waverley Novels were a series of novels written by the great Sir Walter Scott (1771-1832). Amongst this series of novels were many which people today might recognise: Waverley (1814), The Antiquary (1816), Rob Roy (1817), Ivanhoe (1819), and Woodstock (1826) to name but a few.
Who is the most likely candidate for being the original Robin Hood?
The last historian to address this was James Clarke Holt, and the evidence for the most likely candidate which he identified is laid down here.
The folktale of “The Two Children in the Wood” has always been popular with audiences, in spite of its grim content, depicting as it does the death of two children. However, the legend became incorporated into the Robin Hood tradition in the nineteenth century, This post discusses why two very different legends came to be associated.
Romanticism was a cultural and intellectual movement spearheaded by poets, artists, writers, sculptors and musicians. Whereas in the eighteenth century men such as Joseph Addison (1672-1719) complained that rural people and provincial […]
Whilst re-organising my home work space, I came across my undergraduate dissertation. I focused upon representations of polite society in eighteenth-century print culture, with a particular focus upon the periodicals of two […]
I can nought parfitly my pater noster as the prest it syngeth, but I can rymes of Robyn Hode and Randalf erle of Chestre – The Vision of Piers the Plowman (c.1380) […]
This post examines the debt that George R.R. Martin owes to one of the nineteenth century’s foremost novelists, Sir Walter Scott.