The following poem, ‘In a Young Lady’s Heart’, was written by Pierce Egan the Younger in 1843 and published in The Era.
Forgive and Forget | Philo Junius
A poem titled Forgive and Forget first published in 1850 in Home Circle | Subscribe Now
The Emigrant (1850) | Pierce Egan
Pierce Egan the Younger was a novelist and journalist who lived between 1814 and 1880. The author of several popular novels, he occasionally wrote poetry, such as the one below which originally appeared in the Home Circle about an emigrant who misses home.
Harriet Owen, the Fisherman’s Daughter (1857) | Pierce Egan the Younger
A Victorian-era tale of woe and adversity for a brother and sister abandoned by their parents.
The Sorrowful | S. S.
This poem was originally written in 1850 and published in the Home Circle, a magazine edited by Pierce Egan the Younger (1814-80): Ye by whom once the clear blue sky / And zephyrs of returning spring / Were hailed with joy, but now no more / Responses from the spirit bring.
Adam Bell, Clim of the Clough and William of Cloudeslie
Adam Bell, Clim of the Clough, and William of Cloudesley were outlaws who were as famous as Robin Hood. Now they’re entirely forgotten!
Pierce Egan’s Sports Journalism
Anthony Bynoe, a student-athlete at Richmond: The American International University, turns our attention to the life and works of Pierce Egan (1772–1849)
The Flemish Revolt: Pierce Egan’s “Quintin Matsys” (1838)
Pierce Egan’s “Quintin Matsys” is like the Belgian “Les Miserables”; the people of Antwerp rise up and take to the barricades to overthrow the evil aristocrats who oppress them.
Pierce Egan’s “Robin Hood Ballads” (1840)
Pierce Egan’s “Robin Hood” was an early Victorian bestseller. In the first edition, Egan also appended a collection of Robin Hood ballads alongside his novel, for which he provided the illustrations.
Mack the Knife: The “True” Story Behind the Song | Stephen Basdeo
By Stephen Basdeo. The popular song “Mack the Knife” was based upon the story of an eighteenth-century highwayman named Captain Macheath. This post traces the literary life of this fictional character.
Radical Robin Hood: “Little John and Will Scarlet” (1865)
In 1865 the penny dreadul “Little John and Will Scarlet” appeared, full of ideas of democracy and egalitarianism.
Pierce Egan the Younger (1814-1880): Biography of a Penny Dreadful Author | Stephen Basdeo
My own research has brought to light further information on the life of penny dreadful author Pierce Egan the Younger (1814-1880), who has only recieved very brief attention in the Oxford Dictionary of National Biography.
Wat Tyler: 18th- & 19th-Century Literary Afterlives
A brief look at Georgian and Victorian representations of Wat Tyler, the leader of the Peasants’ Revolt of 1381.
Judging Robin Hood: Negotiating Outlawry in Nineteenth-Century Texts
Abstract. Robin Hood needs no introduction. He is the noble outlaw who steals from the rich to give to the poor, living a merry life in Sherwood Forest. Yet people often forget that Robin Hood was a criminal. Indeed, Robin Hood Studies are often seen as a class apart from traditional legal and criminal histories, perhaps because of their ‘popular’ nature. Undoubtedly, by the nineteenth century, Robin Hood emerged as a national hero, partly due to his glorification by Romantic-era writers such as Sir Walter Scott. Yet as my paper will show, there was always uneasiness in some Robin Hood texts between judging Robin’s good deeds on the one hand, and his criminality on the other. Writers explained this in various ways. Sir Walter Scott in Ivanhoe (1819) disapproved overall of Robin’s outlawry, but concluded that his actions were necessary for the safeguarding of the nation. Thomas Love Peacock in Maid Marian (1822) gave Robin an a detailed backstory, explaining that he was outlawed only because he was guilty of resisting oppressive Forest Laws, and hence there was justification for his criminal career. Pierce Egan, in Robin Hood and Little John (1840), chose not to portray Robin as an outlaw at all, but as a radical political fighter. Yet in these texts also, other outlaws who are not part of Robin’s band are depicted as murderous brutes. My paper thus argues that these moral judgments (and sometimes the absence of any type of judgment) upon Robin Hood’s outlawry were a way of separating one of England’s foremost national heroes, who was ultimately a criminal, from the ‘criminal class,’ a notion which gained currency during the nineteenth century and held that there was a certain underclass in society which was responsible for the majority of crime.
Maid Marian in Victorian Penny Dreadfuls: A Proto-Feminist?
A paper read at Chethams Library, Manchester – 20 May 2016.
The Legend of Robin Hood
A forthcoming public talk to be delivered at Pontefract Castle on 8 May 2016.
Walter Scott’s “Ivanhoe” (1819)
Walter Scott’s novel “Ivanhoe” (1819) is perhaps the best Robin Hood story ever written.
Radical Ideas in the Penny Serials of Pierce Egan the Younger (1814-1880)
The penny dreadful author that you’ve never heard of…