I am participating on a round table discussion on this novel at a forthcoming conference, and have used my notes to write a review.
I am participating on a round table discussion on this novel at a forthcoming conference, and have used my notes to write a review.
Although taking their inspiration primarily from the medieval period, the Pre-Raphaelites never painted Robin Hood. William Windus’ “The Outlaw”, however, bears a suspicious likeness to Robin Hood.
For International Women’s Day, I discuss Thomas Love Peacock’s ground-breaking novel “Maid Marian” (1822).
Walter Scott’s novel “Ivanhoe” (1819) is perhaps the best Robin Hood story ever written.
Johnson’s Lives of the Highwaymen was part of one of the most popular genres of early eighteenth-century literature: the criminal biography.
An atheist, monarchy-hating, Robin Hood scholar.
The penny dreadful author that you’ve never heard of…
“The Noble Birth and Gallant Atchievements of that Remarkable Out-Law Robin Hood. Together with a True Account of the Many Merry and Extravagant Exploits he Play’s in Twelve Several Stories” (1662)
Knight is the man who back in 1994 essentially rescued Robin Hood Studies from the seemingly never-ending quest to find a ‘real’ Robin Hood by shifting the discipline’s emphasis towards literary research.
John Dryden (1631-1700) is a significant figure in the literary history of the 17th century. In the Sixth Part of his Miscellany Poems he included an old ballad of Robin Hood. This post seeks to explain why he did this.
Examining how Scott’s fictional interpretation of the Middle Ages, in particular the notion that Robin Hood was a Saxon yeoman, influenced historical scholarship in the early-to-mid nineteenth century.
I recently came across an obscure little book entitled The History and Real Adventures of Robin Hood and his Merry Companions. Written by Captain Charles Johnson. To Which are added, some of the most favourite ballads from an old book, entitled Robin Hood’s Garland (1800). The archival entry lists the author as Daniel Defoe (c.1660-1731),
in 1800 the story of Robin Hood’s birth appeared.
Recidivism…refers to a person’s relapse into criminal behavior, often after the person receives sanctions or undergoes intervention for a previous crime.
In the 16th century there was an understanding among some thinkers that Christ may have died on a simple wooden stake or tree, rather than a two beam cross, and similarly the Geste of Robyn Hode makes reference to “Cryst that dyed on a tree”.
The Victorians hated the ever-increasing price of rail travel just as much as we do today. In this ballad from “Punch”, Robin Hood is a ‘robbing’ Rail company boss.
This is a copy of the paper that I presented at the International Association for Robin Hood Studies ‘Outlaws in Context’ Conference, 30 June – 1 July 2015.
This is a copy of the paper I gave at the British Association for Romantic Studies International Conference, 19 – 19 July 2015.
According to the legend, in old age Robin Hood fell ill and went to visit his cousin, who was the Prioress of Kirklees, so that he could be bled. However, his cousin conspired with her lover, Sir Roger of Doncaster, to kill Robin. So she opened a vein, locked Robin in the upper room of the gatehouse, and let him bleed to death.
“A Lytell Geste of Robyn Hode” (c.1450) is one of the earliest Robin Hood texts, and one of the most interesting.
In 1637 Ben Jonson began work on a Robin Hood play, “The Sad Shepherd; or, a Tale of Robin Hood,” and presented an idealised, pastoral outlaw world.
Robin Hood first became an Earl in the 16th century; two relatively unknown plays had a dramatic effect upon later interpretations of the legend.
Pierce Egan the Younger (1814-1880) was like the George R. R. Martin of his day. He loved the medieval period,
Prince John is now one of the stock villains of movie and television adaptations of the Robin Hood legend, but this wasn’t always the case…