Robin Hood scholars consistently publish excellent new peer-reviewed research in edited volumes, and the latest offering from editors Valerie Johnson and Lesley Coote is no exception to this. This new book entitled Robin Hood in Outlaw/ed Spaces: Media, Performance, and Other New Directions contains essays written by a number of different scholars on varying topics. There truly is something for Robin Hood scholars and medievalists of any calling, whether they work in the field of medieval studies, nineteenth-century literature, or twentieth-century culture, and this review only picks up on a couple of the highlights from the collection.
The strongest sympathy was manifested by the men of Saxon origin for Robin Hood, whom they looked upon as their chieftain and defender,—“I would rather die,” said an old woman to him one day—I would rather die than not do all I might to save thee; for who fed and clothed me and mine but thou and Little John.”
Bad Will Scarlet and the Good Sheriff: “Robin Hood: A Tale of the Olden Time” (1819) | Stephen Basdeo
Few Romanticists are aware of the two-volume historical romance Robin Hood: A Tale of the Olden Time, published in Edinburgh in July 1819. A cynic might say that our anonymous author had initially written a generic inheritance drama but decided late in the game, for marketing purposes, to change it into a Robin Hood novel.
The “Glorious Trio” first appeared in Leno’s collection titled Drury Lane Lyrics and Other Poems (1867). It celebrates three of England’s greatest medieval heroes: Robin Hood, Wat Tyler, Hereward the Wake.
Almost all western societies hold in reverence two “anonymous” figures: the worker and “the unknown soldier.” Ernst Jünger would have us venerate a third figure: The Forest Rebel. The Forest Rebel has been present in nearly every society and is a symbol of resistance to tyranny.
It would have fallen to the lot of a poorly paid Victorian governess to practice playing Robin Hood with children in the nursery.
St George’s Day seems as fitting time as ever to publish a “new” Robin Hood poem I found titled “Saxon Grit” in the archives of a long-defunct Christian socialist magazine titled The Labour Prophet in 1892.