During the sixteenth century a new genre of popular literature arrived in England. Adapted from literature that was flourishing in Spain, a stream of printed books and pamphlets shined a light on the seedy underworld in England’s capital city. The genre — Rogue Literature.
Ratsey was a hardened offender who disdained honest work and turned to crime to live extravagantly. Little did he know that the account his life, a pamphlet titled “The Life of Gamaliel Ratsey” (1605) kick-started the “true” crime genre of popular literature.
The Victorians in many ways were just like us: they enjoyed a good scandal whenever it was reported in the press, they liked both trashy and high-brow entertainment, and like today, they had their popular heroes adored by both adults and children. Let me introduce you to the Harry Potter of the late-Victorian era: Mr Jack Harkaway.
G. W. M. Reynolds, the “vicious republican” of the Victorian era, attributed the cause of all crime to the the existence of the royal family and the political establishment.
The first rogue novel entitled “Lazarillo de Tormes” was published in Spain in 1554. Taking for its subject socially marginal protagonists, it kickstarted a genre which would lead ultimately to the birth of the novel.
Capt. Alexander Smith’s “A History of the Lives and Robberies of the Most Notorious Highwaymen, Footpads, Shoplifts, and Cheats” (1714) | Stephen Basdeo
Alexander Smith’s A History of the Lives and Robberies of the Most Notorious Highwaymen, Footpads, Shoplifts, and Cheats (1714), with its combination of excessive moralism and sensational reporting, set the tone for all successive ‘true’ crime writing.
Crime historians often pay little regard to medieval outlaw literature, but my paper aims to use the history of crime in the early modern period to add a new context to their study. The ballad A Lytell Geste of Robyn Hode was first printed in the early sixteenth century. Around the same time also we see other outlaw ballads printed such as Adam Bell, Clim of the Clough, and William of Cloudesly (c.1530). My paper explores one reason why the figure of the outlaw hero became popular in print during the sixteenth century. Could it be that the idealisation of the outlaw occurred during the sixteenth century because another, more sinister criminal figure was also emerging in print: the ‘rogue’? Whilst outlaws such as Robin Hood were ‘curteyse’ and ‘dyde pore men moch god’, the figure of the rogue was more menacing. The word ‘rogue’ was first coined in 1561. Unlike the relatively good greenwood outlaw who lived apart from mainstream society, however, rogues were part of it, describing somebody who would rob, cheat, and swindle people indiscriminately, all the while effecting the disguise of a law-abiding citizen. Thus there was a need for people to believe in a good outlaw, because real-life offenders were ultimately more menacing. Hence the proposed paper explores the dichotomy between outlaws and rogues in print, in the process highlighting how changes in the nature of crime in the early modern period might have affected medieval outlaw myths.
The lives of murderers, ravishers, thieves, highwaymen, burglars, forgers, Pirates, and Street Robbers adorned the pages of “The Newgate Calendar”.
Johnson’s Lives of the Highwaymen was part of one of the most popular genres of early eighteenth-century literature: the criminal biography.
The word ‘rogue’ was not invented until the 1560s.