“Thou mayest be the envy of the world during the day, but night must come, and at night thou must always expect my cheering presence!”
“Thou mayest be the envy of the world during the day, but night must come, and at night thou must always expect my cheering presence!”
Manuel Antônio Álvares de Azevedo (1831–52), referred to usually as Álvares de Azevedo, was Brazil’s most famous Romantic poet. Yet because his works have never been translated into English, Azevedo remains unknown to most British and American scholars.
Mysterymania gripped the world in the 1840s and 1850s. From London and France it spread to USA, Germany, Italy, Brazil, and Portugal. Camilo Branco’s Misterios de Lisboa was part of this thrilling genre.
What Strangford wanted to do was translate Luis de Camões’s little-known sonnets, and the result was Poems, from the Portuguese of Luis de Camoens.
What a minister needed to succeed in a political career was, therefore, not the confidence of the House of Commons but the confidence of the king.
All of the newspapers which covered the event paid significant attention to the panel on Robin Hood, which, if it happened to a Robin Hood conference today, would be a significant publicity coup.
‘Desanimo’ [Dejection] first appeared in Álvares de Azevedo’s posthumous collection of poetry titled Lira dos Vinte Anos (1853).
None of these writings were to be published while Álvares was alive, however, for in true Romantic style, he died young. Having contracted tuberculosis while living in São Paolo, he moved to his family’s country estate to recover. While travelling to his family’s home he fell from his horse and died from his injuries.
“He unites the exactness of the [medieval] chronicles, the majestic grandeur of history, and the all-compelling interest of romance.”
The following poem, written by “J.A.” and titled “Robin Hood’s Grave” appeared in the Newcastle Magazine in November 1827. It has been transcribed by Stephen Basdeo.
Fans of outlaw stories, if they were ever able to time travel, might travel back to the 1820s and 1830s when Victor Hugo’s outlaw drama premiered.
Revolution is humanity’s surgeon, it cuts out the tumour, it cuts off the gangrened limb—What! would you have pity for the virus? For the gangrened limb!
The first British edition of Nathaniel Hawthorne’s “Feathertop” in Home Circle in 1852. Hawthorne scholars have previously been unaware of the appearance of “Feathertop” in this magazine.
After Victor Hugo’s death, and before the publication of his letters (many of which remain unpublished), Paul Maurice published Memoirs of Victor Hugo. This was not chronological autobiography but was, as Maurice remarked, […]
After Victor Hugo’s death, and before the publication of his letters (many of which remain unpublished), Paul Maurice published Memoirs of Victor Hugo. This was not chronological autobiography but was, as Maurice […]
The mist of the morning is torn by the peaks, Old towers gleam white in the ray, And already the glory so joyously seeks The lark that’s saluting the day. Then smile […]
“G. W. M. Reynolds we devoured in The Coral Island, a big tome of horrors; and there was Eugéne Sue’s Mysteries of Paris in three big volumes.”
The effects of that glorious revolution which gave so vast an impulse to the energies and intelligence of the French, have been subsequently felt by all the other nations of Europe; and while Burke aimed his thunders against those principles which restored a desponding people to freedom, light, and happiness…
The fact is, that America is better understood by Europeans than by its own citizens. While she is occupied in self-contemplation and self-admiration—a state of quiescent beatitude originated by amour-propre—we are in a situation which enables us to judge of her with impartiality and calmness.
The following short poem appeared in G.W.M. Reynolds’s novel Robert Macaire. Away, away, the god of day Depart to another sphere: The mists arise, but the darkling skies Like a jewell’d vest […]
After Victor Hugo’s death, and before the publication of his letters (many of which remain unpublished), Paul Maurice published Memoirs of Victor Hugo. This was not chronological autobiography but was, as Maurice […]
The following poem was written in French in 1835 then translated into English and published in Fraser’s Magazine.
“when our happy credulity in all things is woefully abated, and our faith in the supernatural fled, we still retain our taste for the adventurous deeds and wild lives of brigands.”
The following poem was written by the radical James Bronterre O’Brien and published in place of the frontispiece in the bound volume of George Julian Harney’s short-lived magazine the Vanguard. Battle Song […]