Ratsey was a hardened offender who disdained honest work and turned to crime to live extravagantly. Little did he know that the account his life, a pamphlet titled “The Life of Gamaliel Ratsey” (1605) kick-started the “true” crime genre of popular literature.
“A man begins to commit murder from the moment he indulges sadistic day dreams…and begins to buy sadistic novelettes, or seek out a prostitute or masochistic amateur to share his perverted interests.”
The room contains an assortment of devices for inflicting pain. All the time, the client is pleading with Katy for her forgiveness, promising “he will be good,” while she lays into him with the whiplash of her tongue, and afterwards with her collection of implements.
“…the most selfish hearts should be humanized, and a feeling of love kept alive, reciprocating and reciprocated, between the rich and the poor, the politically great and the socially defenceless, for ever.”
In The 19th-Century Underworld: Crime, Controversy & Corruption, historian and novelist Stephen Carver, drawing upon a wide range of archival and literary sources, takes us on a journey through the seedy courts and sinister alleyways of the criminal underworld which existed during the nineteenth century.
“Up at the League, says a friend, there had been one night a brisk conversational discussion, as to what would happen on the Morrow of the Revolution, finally shading off into a vigorous statement by various friends of their views on the future of the fully-developed new society … [William Guest] found himself musing on the subject-matter of discussion, but still discontentedly and unhappily. “If I could but see it!” … “If I could but see it! If I could but see it!”
“A general spirit of discontent has long been increasing among the people: it has at last broken out among the lower class in London.”