“He unites the exactness of the [medieval] chronicles, the majestic grandeur of history, and the all-compelling interest of romance.”
‘“The Christmas season, which to others is a blessing, shall become to thee a curse: for thou hast forfeited all claim to that salvation and that mercy which He … ensure[d] on behalf of his elect!”’
Bad Will Scarlet and the Good Sheriff: “Robin Hood: A Tale of the Olden Time” (1819) | Stephen Basdeo
Few Romanticists are aware of the two-volume historical romance Robin Hood: A Tale of the Olden Time, published in Edinburgh in July 1819. A cynic might say that our anonymous author had initially written a generic inheritance drama but decided late in the game, for marketing purposes, to change it into a Robin Hood novel.
On the same night that Mary Shelley conceived the idea for Frankenstein, her friend, Dr John Polidori, conjured another frightening creature – the vampire. Yet his malevolent vampire was no match for some Italian bandits, it seems.
Eugene Sue’s “The Mysteries of Paris” marked the emergence of a new genre: the urban gothic.