Stephen Basdeo The Following was a lecture delivered by Stephen Basdeo at Richmond: The American International University on Wednesday 18 November 2020 to students in GEP4180: Organised Crime in Popular Culture. Although […]
The Victorians in many ways were just like us: they enjoyed a good scandal whenever it was reported in the press, they liked both trashy and high-brow entertainment, and like today, they had their popular heroes adored by both adults and children. Let me introduce you to the Harry Potter of the late-Victorian era: Mr Jack Harkaway.
Pierce Egan’s “Robin Hood” was an early Victorian bestseller. In the first edition, Egan also appended a collection of Robin Hood ballads alongside his novel, for which he provided the illustrations.
After G W M Reynolds and Thomas Miller decided to stop writing Victorian crime novel “The Mysteries of London”, E. L. Blanchard took up the narrative with a brand new story with original characters.
The Robin Hood novelist Thomas Miller was chosen by George Vickers to continue writing “The Mysteries of London” in 1849.
This post sheds light upon another Robin Hood serial written by George Emmett entitled Robin Hood and the Archers of Merrie Sherwood which was serialised between 1868 and 1869.
In the late-Victorian period The Edinburgh Review wrote that ‘There is now before us such a veritable mountain of pernicious trash, mostly in paper covers, and “Price One Penny”; so-called novelettes, tales, stories of adventure, mystery and crime; pictures of school life hideously unlike reality; exploits of robbers, cut-throats, prostitutes, and rogues, that, but for its actual presence, it would seem incredible’.