Tag: Robin Hood

Victor Hugo’s Early Modern Outlaw Play: “Hernani” (1830)

Fans of outlaw stories, if they were ever able to time travel, might travel back to the 1820s and 1830s when Victor Hugo’s outlaw drama premiered.

[REVIEW] “Robin Hood in Outlaw/ed Spaces” (2015)

Robin Hood scholars consistently publish excellent new peer-reviewed research in edited volumes, and the latest offering from editors Valerie Johnson and Lesley Coote is no exception to this. This new book entitled Robin Hood in Outlaw/ed Spaces: Media, Performance, and Other New Directions contains essays written by a number of different scholars on varying topics. There truly is something for Robin Hood scholars and medievalists of any calling, whether they work in the field of medieval studies, nineteenth-century literature, or twentieth-century culture, and this review only picks up on a couple of the highlights from the collection.

“Servile Historians” (1869) | Samuel Kydd

The strongest sympathy was manifested by the men of Saxon origin for Robin Hood, whom they looked upon as their chieftain and defender,—“I would rather die,” said an old woman to him one day—I would rather die than not do all I might to save thee; for who fed and clothed me and mine but thou and Little John.”

The Forest Rebel | Stephen Basdeo

Almost all western societies hold in reverence two “anonymous” figures: the worker and “the unknown soldier.” Ernst Jünger would have us venerate a third figure: The Forest Rebel. The Forest Rebel has been present in nearly every society and is a symbol of resistance to tyranny.

“Saxon Grit”

St George’s Day seems as fitting time as ever to publish a “new” Robin Hood poem I found titled “Saxon Grit” in the archives of a long-defunct Christian socialist magazine titled The Labour Prophet in 1892.

Stephen Basdeo’s “Robin Hood” Radio Segment

Most authors promise themselves they’ll never look at reviews of their book, but we can never help maybe sneakily wondering if our ‘average star’ count on Amazon has gone up or whether a feature has been done on your book on the local radio (and let me tell you, Goodreads reviewers are the harshest taskmasters). But I was lucky enough to have my Robin Hood book featured on an Australian radio station

“If they must have a British Worthy, they would have Robin Hood”

“There are two kinds of immortality: that which the soul really enjoys
after this life, and that imaginary existence by which men live in
their fame and reputation. The best and greatest actions have proceeded
from the prospect of the one or the other of these; but my design is to
treat only of those who have chiefly proposed to themselves the latter
as the principal reward of their labours.”