Stephen Basdeo is a historian and writer based in Leeds, UK.
“A man begins to commit murder from the moment he indulges sadistic day dreams…and begins to buy sadistic novelettes, or seek out a prostitute or masochistic amateur to share his perverted interests.”
Most authors promise themselves they’ll never look at reviews of their book, but we can never help maybe sneakily wondering if our ‘average star’ count on Amazon has gone up or whether a feature has been done on your book on the local radio (and let me tell you, Goodreads reviewers are the harshest taskmasters). But I was lucky enough to have my Robin Hood book featured on an Australian radio station
The summer of 1791 was an unusually wet one. The young schoolboy, and future Poet Laureate, Robert Southey, therefore had a lot of time on his hands. It was probably the weather that induced him to stay inside longer than usual and write a romance entitled “Harold; or, The Castle of Morford” (Bodleian MS Misc. Eng. e.21. Summary Catalogue 31777).
The room contains an assortment of devices for inflicting pain. All the time, the client is pleading with Katy for her forgiveness, promising “he will be good,” while she lays into him with the whiplash of her tongue, and afterwards with her collection of implements.
Joseph Ritson was a man of humble beginnings, a great scholar, a friend to the poor, and a radical, and his work had a profound influence on 19th- and 20th-century Robin Hood novels and films.
“This was such a fun and insightful book to read. Basdeo is able to combine the history of each century with how that changed the Robin Hood narrative and a light, readable […]
Thanks for the Kind Review!
In the summer of 1381, the people of England had had enough: disease, war, and low harvests had caused great discontent throughout the land. The Statute of Labourers (1351)—which kept wages fixed at a low price—was still in force, while the lowest class in society, the serfs, were the virtual slaves of the lord, forced to work the land for little-to-nothing beyond what was needed for their subsistence. To add insult to injury, the government had imposed 3 successive poll taxes in 1377, 1379, and 1380.
It wasn’t only men who had all the fun during the Peasants’ Revolt: Joan Smith was ‘the leader of a great band of rebellious evil-doers from Kent’. Who were these rebellious women in the Peasants’ Revolt?
Robin Hood is significant, not because of the life of any real person but because he is a symbol. So, appropriations of his name in later centuries are significant because they highlight what the name meant to people like you and I in times past.
This poem, written by Robert Southey in 1791, has never been seen before by Robin Hood scholars. It is taken from the manuscript of a novel, currently unpublished, written by Robert Southey in 1791.
“There are two kinds of immortality: that which the soul really enjoys
after this life, and that imaginary existence by which men live in
their fame and reputation. The best and greatest actions have proceeded
from the prospect of the one or the other of these; but my design is to
treat only of those who have chiefly proposed to themselves the latter
as the principal reward of their labours.”
Through the centuries, many poets have turned their hand to writing about Robin Hood. In the 1740s, at the height of the neoclassical movement in English culture, John Winstanley reimagined Robin Hood as a classical archer who competed with Apollo.
The following poem, simply titled ‘Robin Hood’ appeared in “The Oriental Observer” in 1828.
How do certain ‘facts’ about one of the major events of English history get forgotten? Between 1715 and 1863, one such fact which people forgot was a dying confession made by Jack Straw, ahero of the Peasants’ Revolt.
We live in an era in which, increasingly, governments in many western countries are realising that they are losing the so-called “War on Drugs”. Some countries have completely decriminalised certain substances, while in some states in the USA, you can buy marijuana over the counter for both medicinal and recreational use. Our attitude to illicit substances is increasingly looking not too dissimilar from that held by many people in the early nineteenth century.
William Holman Hunt’s painting of “The Awakening Conscience” (1853) told an all-too-familiar story: that of the working-class “kept woman” ensnared into a debauched lifestyle by an upper class man.
The Victorians in many ways were just like us: they enjoyed a good scandal whenever it was reported in the press, they liked both trashy and high-brow entertainment, and like today, they had their popular heroes adored by both adults and children. Let me introduce you to the Harry Potter of the late-Victorian era: Mr Jack Harkaway.
If Twitter was around in 1819, this angry letter writer named Robin Hood–who railed against corrupt and tyrannical MPs–would probably have had an account.
The name of Robin Hood appears in the most unlikely of places. Here we meet an orphan boy from the eighteenth century who was given the hero’s name.
Hark ye! My Merry Men all and listen to me!
Of a very bad bishop who was a Tory!
“…the most selfish hearts should be humanized, and a feeling of love kept alive, reciprocating and reciprocated, between the rich and the poor, the politically great and the socially defenceless, for ever.”
In The 19th-Century Underworld: Crime, Controversy & Corruption, historian and novelist Stephen Carver, drawing upon a wide range of archival and literary sources, takes us on a journey through the seedy courts and sinister alleyways of the criminal underworld which existed during the nineteenth century.
I recently came into possession of a book written by Thomas Cooper (1805-92), a famous Chartist activist, which he gave to his friend, the newspaper proprietor and fellow Chartist, John Cleave (1790-1847).