It was in the year 1785—on a fine evening, in the month of May —that three young students, in the uniform of the Military College of Paris, were occupied in the pleasant discussion of a repast in the restaurant at St. Cloud which overlooks the park, and which every visitor of the present day to that sacred shrine of gastronomy knows by the name of Legriel’s. The first of the three individuals, whom we have thus abruptly alluded to, was about sixteen years of age, with a peculiar expression of countenance, which inspired respect rather than any softer feeling, and a blue eye that was in itself a soul. His companions were his juniors—probably by about a few months; and they were two fine, tall, handsome young men, with commanding though graceful figures, and eagle glances which bespoke all the military enthusiasm that filled their bosoms.
Stephen Basdeo is a historian and writer based in Leeds, UK.
The following poem was written by Victor Hugo during the 1830s and first translated into English in a book titled “Songs of Twilight” by G.W.M. Reynolds.
Tim Hitchcock and Robert Shoemaker’s “London Lives: Poverty, Crime, and the Making of a Modern City, 1690-1800” (2015)
Hitchcock and Shoemaker’s work is well grounded in the scholarship of eighteenth-century social history, particularly in the history of crime. The need for this work comes from the fact that the history of crime and the history of poor relief have hitherto tended to constitute different subjects, but as Hitchcock and Shoemaker illustrate, the history of welfare and crime in the eighteenth century are interrelated. Moreover, even where previous scholars have attempted to build a history from below, the voices and the experiences of the poor are often marginalised and discussed instead in terms of official acts passed and the rise of charitable associations (pp.13-15). To build their argument Hitchcock and Shoemaker rely on a number of sources: the digitised MS. and trial transcripts from both London Lives and the Old Bailey Online; Workhouse and Settlement Records; Repertories of the Court of Aldermen; Parliamentary Papers; criminal biographies. The innovative feature with the online ebook version of this work is that the footnotes will link straight to the digitised sources in London Lives and the Old Bailey Online.
Most people have known this site as Here Begynneth a Lytell Geste of Robin Hood—that was the title I decided upon when I first set up the site in 2015. It was originally intended as a website solely devoted to crime and outlaws but, as any regular reader of this site will have probably guessed by now, its scope has organically expanded. The site now features writings by myself and other people on a range of historical and literary topics.
Suddenly the middle classes “saw themselves” in fiction, so to speak. The next major novelist, Samuel Richardson, also wanted to give readers a “realistic” novel. In 1740, he published Pamela; or, Virtue Rewarded. This novel, set in readers’ own times (the 1700s for 1700s readers) was written as though it was a series of letters written by the title character, Pamela, a servant girl in the household of Lord B——, to her poorer family in the country. This format, used by many novelists since, including Bram Stoker, the author of Dracula, became known as the epistolary novel. Now, Pamela was a pure and virtuous girl, but her depraved master, Lord B, is infatuated with her. He offers her many fine things, which she refuses, because she is virtuous. He spies on her undressing through the keyhole of her room, and even attempts to rape her, but she resists him. Then at the end of the novel, Lord B is so impressed with her virtue that he marries her, to which she eventually consents, for she has in fact fallen in love with him. Richardson’s message was clear: if a woman holds on to her virtue (if she doesn’t have sex before marriage) then she will be rewarded, either in this life or the next.
Organized crime groups have been a menace to society for hundreds of years. Everything from a simple group of Robin Hood-style highwaymen in seventeenth-century England, to the infamous Sicilian Mafia can be considered as organized crime groups. The first recorded incident of Sicilian-influenced organized crime in the United States occurred in October of 1890 when a New Orleans Police Superintendent was executed by a group of Sicilian immigrants. But how does organise crime emerge and flourish in some parts of the world and not others? And how can we even define the term? After all, many crimes, in fact, almost all of them, require a degree of method for their execution, but not all criminals are members of organised crime gangs.
Robin Hood scholars consistently publish excellent new peer-reviewed research in edited volumes, and the latest offering from editors Valerie Johnson and Lesley Coote is no exception to this. This new book entitled Robin Hood in Outlaw/ed Spaces: Media, Performance, and Other New Directions contains essays written by a number of different scholars on varying topics. There truly is something for Robin Hood scholars and medievalists of any calling, whether they work in the field of medieval studies, nineteenth-century literature, or twentieth-century culture, and this review only picks up on a couple of the highlights from the collection.
Stephen Basdeo UPDATE 23/05/2021: I shall now be moderating all comments prior to people being able to post them. In the Communist Manifesto (1848) Karl Marx and Friedrich Engels wrote that, in […]
The strongest sympathy was manifested by the men of Saxon origin for Robin Hood, whom they looked upon as their chieftain and defender,—“I would rather die,” said an old woman to him one day—I would rather die than not do all I might to save thee; for who fed and clothed me and mine but thou and Little John.”
Eugene Sue’s Epic Socialist Novel “The Mysteries of the People” (1848): “The Iron Collar” and “The Silver Cross” | Stephen Basdeo
“this carpenter of Nazareth has an audacity that passes all bounds; he respects nothing, nothing; yesterday ’twas the law, authority, he attacked in their representatives; to-day ‘tis the rich against whom he excites the dregs of the populace. Has he not dared to pronounce these execrable words: ‘It is easier for a camel to pass through the eye of a needle than for a rich man to enter into the kingdom of heaven.”
In 1918, as the Spanish flu ravaged the world, one student at Montana State College. One of the students decided to keep a diary chronicling student life during the pandemic and also his own experiences while he was sick with the flu.
Bad Will Scarlet and the Good Sheriff: “Robin Hood: A Tale of the Olden Time” (1819) | Stephen Basdeo
Few Romanticists are aware of the two-volume historical romance Robin Hood: A Tale of the Olden Time, published in Edinburgh in July 1819. A cynic might say that our anonymous author had initially written a generic inheritance drama but decided late in the game, for marketing purposes, to change it into a Robin Hood novel.
It was in the early evening of 26 January 1804 (5 Pluviôse in the Year XII of the French Republic) that several eminent people from French high society were gathered at number 160 Rue Neuve de Luxembourg. Among them was Jean Baptise-François Legros, the Auditor of the Public Treasury. The French military commander Eugène Rose de Beauharnais, who was adopted son of First Consul of the French Republic, Napoleon Bonaparte, was there as well. Also in attendance was Beauharnais’s mother and Napoleon’s wife Josephine Bonaparte—later in this same year, 1804, Napoleon would crown himself Emperor of the French and Josephine would be granted the title of empress. These luminaries of French political and military life were gathered to witness the birth of a child: a novelist who went on to achieve astounding heights of fame in the French literary world–Eugene Sue.
“Ah!” said the bookseller, after a pause; “nothing now succeeds unless it’s in the comic line. We have comic Latin grammars, and comic Greek grammars; indeed, I don’t know but what English grammar, too, is a comedy altogether. All our tragedies are made into comedies by the way they are performed; and no work sells without comic illustrations to it. I have brought out several new comic works, which have been very successful. For instance, The Comic Wealth of Nations; The Comic Parliamentary Speeches; The Comic Report of the Poor-Law Commissioners, with an Appendix containing the Comic Dietary Scale; and the Comic Distresses of the Industrious Population. I even propose to bring out a Comic Whole Duty of Man. All these books sell well: they do admirably for the nurseries of the children of the aristocracy. In fact they are as good as manuals and text-books.”
“It graphically traces the special features of class-rule as they have succeeded one another from epoch to epoch, together with the special character of the struggle between the contending classes. The “Law,” “Order,” “Patriotism,” “Religion,” “Family,” etc., etc., that each successive tyrant class, despite its change of form, fraudulently sought refuge in to justify its criminal existence whenever threatened; the varying economic causes of the oppression of the toilers; the mistakes incurred by these in their struggles for redress; the varying fortunes of the conflict;—all these social dramas are therein reproduced in a majestic series of “novels” covering leading and successive episodes in the history of the race—an inestimable gift, above all to our own generation, above all to the American working class.”
“The empires of civilization have crumbled like sandcastles in a horror of anarchy. Thousands upon thousands of unburied dead, anticipating the more deliberate doom that comes and smokes, and rides and comes and comes, and does not fail, encumber the streets of London, Manchester, Liverpool … the fields lie waste, wanton crowds carouse in our churches, universities, palaces, banks, hospitals … in several towns the police seem to have disappeared.”
The “Glorious Trio” first appeared in Leno’s collection titled Drury Lane Lyrics and Other Poems (1867). It celebrates three of England’s greatest medieval heroes: Robin Hood, Wat Tyler, Hereward the Wake.
Jack London’s “The Scarlet Plague” (1912): Eugenics, Socialism, and a Deadly Pandemic | Stephen Basdeo
“You had your day before the plague … but this is my day, and a damned good day it is. I wouldn’t trade back to the old times for anything.”
Almost all western societies hold in reverence two “anonymous” figures: the worker and “the unknown soldier.” Ernst Jünger would have us venerate a third figure: The Forest Rebel. The Forest Rebel has been present in nearly every society and is a symbol of resistance to tyranny.
Pierce Egan’s “Robin Hood” and the Victorian “Standard English Novels” Literary Canon | Stephen Basdeo
This post examines the creation of the Victorian “Standard English Novels” series. This is because we have a strange situation in Robin Hood scholarship. Minor and unimportant works of authors like Thomas Love Peacock receive too much attention and their importance in the legend’s history is overemphasised. Meanwhile the works of major Victorian authors, who were considered “canonical” and as one of the “masters of English novels” in their day, receive very little critical attention.
“Those black spots indicated a condition of putrid decomposition;—the tongue grew also black, and swelled so as nearly to suffocate the victim —lolling out of his parched mouth, and between his livid lips, and experiencing a thirst so burning that no beverage, however sharp or acid, could assuage that agonizing sensation:—large gouts of thick black blood were expectorated;—the breath exhaled an odour so nauseating that it was pestilence itself;—and violent pains crowned the infernal torments which the wretched patient thus endured.”
A spectre is haunting Latvia — the spectre of organised crime. Illegal border crossings, drug trafficking, money laundering, vehicle theft, human trafficking, and corruption are just some of the issues which Latvian law enforcement has to deal with.
“It is painfully obvious that the modus vivendi that has been reached between state and political institutions and organized crime is causing a permanent deformation of the democratic system.”