To Switzerland originally appeared in a Chartist songbook in 1839 and celebrates the beautiful country’s landscape and long tradition of political liberty.
To Switzerland | Anonymous
Dr Stephen Basdeo
Stephen Basdeo is a historian and writer based in Leeds, UK. He is the author of several peer-reviewed journal articles, book chapters, and popular history books.
The History of Socialism (Part I) | Louis Blanc
Socialism “is one of those primordial indestructible ideas, which the hand of God has engraved in human consciences, and which are perpetuated from age to age, and whose development forms an unbroken tradition through the world’s ages.”
Forgive and Forget | Philo Junius
A poem titled Forgive and Forget first published in 1850 in Home Circle | Subscribe Now
The Emigrant (1850) | Pierce Egan
Pierce Egan the Younger was a novelist and journalist who lived between 1814 and 1880. The author of several popular novels, he occasionally wrote poetry, such as the one below which originally appeared in the Home Circle about an emigrant who misses home.
“The Sunbeam” (1857) | F.W. Alexander
The following poem was written in 1857 by F.W. Alexander and printed in Reynolds’s Miscellany. Little is known about the poet; they were in all likelihood not a professional poet but had a day job and simply contributed a few lines to Reynolds’s Miscellany, which often published contributions from readers.
Brave Canadians! (1839) | S.R.G.
There is no country on the face of the earth where despotisms prevails with more horrible atrocity than in Canada. We can well conceive the sort of sympathies entertained by the Melbourne and Russell government, when they permitted that splendid colony to be devastated by inhuman fiends, whose names shall be consigned to eternal infamy, as samples of the cannibal spirit of aristocratic domination. May our beneficent CREATOR grant that the British People may yet prove the liberators of the brave, bleeding, and prostrate Canadians!
Harriet Owen, the Fisherman’s Daughter (1857) | Pierce Egan the Younger
A Victorian-era tale of woe and adversity for a brother and sister abandoned by their parents.
Liberty’s Address to the Welsh | Thomas Jenkins
A radical song, written by Thomas Jenkins at the beginning of the Chartist movement, urging the Welsh to rise up and fight for democracy.
Awake! The Torpor of this Dream | J.D.
An anonymously written song from 1839 urging the Victorian working classes on to revolution: Awake! the torpor of this dream, / This icy weight on Feeling’s stream— / This dull yielding to your foes / Invites and justifies their blows!.
Painting a Pandemic: Michiel Sweerts’s “Plague in Ancient City” (1652) | Stephen Basdeo
Michiel Sweerts (1618–64) was a Flemish painter who specialised in genre paintings, portraits, and allegorical paintings. He greater part of the 1640s in Rome, during which time there was an outbreak of plague in the city which inspired him to paint this scene.
Ragnar’s Death Song | Stephen Basdeo
Legend has it that Ragnar composed his “Death Song” as he lay in the pit of snakes waiting to die, the sentence upon him having been passed by the Anglo-Saxon Northumbrian King Aelle. Stephen Basdeo examines the publication of this ancient song.
Man from 1818 Predicts USA of the Future | Stephen Basdeo
“I venture to predict the following improvements: Improvements which time may verify when the hand that now writes them, has long mouldered in the clammy soil.”
A History of the End of the World | Stephen Basdeo
Humans have always expressed a ‘fear of the end’ in literary and artistic terms. The first apocalypse stories in Western culture came to us from the Bible, with Noah’s Flood giving us the archetypal ‘last man’ or ‘small group of survivors’ motif that has persisted in many retellings of the end times.
“Reynolds’s News and Miscellany” Approved for Google News Inclusion | Stephen Basdeo
Google News is a news aggregator, developed in 2006, which collates the daily feeds of over 20,000 news publishers’ content. Compared to that huge number, Reynolds’s News and Miscellany admittedly looks like “small fry”. But Google’s rules for inclusion in Google News are quite strict.
The Rise of Democracy: The Passage of the Reform Act (1867) | Stephen Basdeo
The Reform League organised several rallies. At one of the Reform League’s major rallies, held in Trafalgar Square and attended by old-school militant radicals, the speakers began calling on working men to organise a general strike. Another ‘monster meeting’ held in May 1867 was so large that, despite being banned by the government, the police did not dare to intervene. The prospect of violence and armed conflict was rearing its head and it was all beginning to feel like 1848 again.
Painting a Pandemic: Domenico Gargiulo’s “Plague at Naples” (1656) | Stephen Basdeo
The scene is one of confusion as dead bodies lay in the street. In this picture, however, God looks on from above—does he feel sympathy for the plague victims, has he caused it, or is he simply indifferent?
Painting a Pandemic: Napoleon Visiting the Sick | Stephen Basdeo
The social anarchy resulting from plague are obviously a mainstay of pop culture depictions; times of crisis often bring out the worst in humanity. Yet they can also bring out the best in humanity as well, and it is one human, at his best and most heroic, whom Antoine-Jean Gros decided to represent on canvas in 1804. The man was Napoleon Bonaparte, Emperor of the French.
Painting a Plague| Stephen Basdeo
Nicolas Poussin (1594–1655) was born in Normandy, France and received a basic education before running away to Paris at the age of eighteen to become an artist. Having spent some time in Paris under the tutelage of several French and Flemish artists where he honed his craft. Poussin specialised in painting religious scenes as well as depictions of the classical era.
First Appearance of Bubonic Plague in History
Plague, or Yersinia pestis, has “plagued” humankind throughout history. Since at least the reign of Byzantine Emperor Justinian in the 500s—and likely for much longer before that—it has claimed millions of lives. This section presents the voices of people throughout history who have recorded their experiences of the plague and who have also represented it in popular culture.
A Glasgow Doctor Battles a Cholera Outbreak | W. Dale
I concluded this was a case of genuine malignant cholera, and in consequence felt somewhat alarmed and anxious for the safety of the family. I examined the house, and found the walls dark-looking and damp. The whole place had an air of discomfort; the woman had been washing for two days previous, and had been drying her clothes in the house; damp stockings were hung around the bed place, and undried clothes on lines. I examined the close or yard, and found one wretched dirty old petty or closet for the whole pile of houses, and near to it some small houses where animals were kept, with much filth about them, and human excrement in the channel of the yard and near to the closet.
Mary Shelley’s “The Last Man” (1826): An Abridged Version | Stephen Basdeo
Presented here is an abridged version of Mary Shelley’s post-apocalyptic pandemic novel “The Last Man” (1826). The plague makes its way across the world killing all in its path and eventually arrives in England. Many of the motifs we find in modern-day apocalypse movies can be found in Shelley’s novel: lawlessness and rioting, the rise of religious madmen, the hoarding of food, and scenes of desolate towns and cities. The extract presented here is a highly abridged one which provides an overview of how Shelley imagined the end of the world as ushered in by a pandemic.
The Sorrowful | S. S.
This poem was originally written in 1850 and published in the Home Circle, a magazine edited by Pierce Egan the Younger (1814-80): Ye by whom once the clear blue sky / And zephyrs of returning spring / Were hailed with joy, but now no more / Responses from the spirit bring.
The Baroness: A Novel (Part VII) | G.W.M. Reynolds
The notary sank upon a chair, gazed wildly at that brother whom he had never wished to encounter more, and in whose presence he so singularly and unexpectedly found himself: Alfred de Moirot crossed his arms on his breast, and returned the timid glance of the notary with one of scorn, indignation, and reproach. The Baroness and de Montville exchanged looks of mingled satisfaction and anxiety.
The Baroness: A Novel (Part VI) | G.W.M. Reynolds
While the inhabitants of the chateau were thus thrown into a strange state of doubt, anxiety, and alarm, the approaching steps of horses and the wheels of a heavy vehicle indicated the arrival of some visitor. A loud knocking speedily commenced at the front door, and in a few minutes the gallery, with which the room the room where the evening meal had been spread, communicated, re-echoed to the steps of’ several individuals.