Revolution is humanity’s surgeon, it cuts out the tumour, it cuts off the gangrened limb—What! would you have pity for the virus? For the gangrened limb!
After Victor Hugo’s death, and before the publication of his letters (many of which remain unpublished), Paul Maurice published Memoirs of Victor Hugo. This was not chronological autobiography but was, as Maurice […]
“when our happy credulity in all things is woefully abated, and our faith in the supernatural fled, we still retain our taste for the adventurous deeds and wild lives of brigands.”
When Ritson first started his job as High Bailiff of the Liberty of the Savoy, no one really knew what the job entailed. So Ritson decided to research the subject.
With hideous face, and tuneless note, A ballad-singer strains his throat; Roars out the life of Betty Saunders, With Turpin Dick, and Molly Flanders; Tells many woeful tragic stories, Recorded of our British worthies.
The following lines were written by the antiquary Joseph Ritson (1752–1803) and were first printed in the Newcastle Miscellany in 1772, then later as a standalone tract.
Legend has it that Ragnar composed his “Death Song” as he lay in the pit of snakes waiting to die, the sentence upon him having been passed by the Anglo-Saxon Northumbrian King Aelle. Stephen Basdeo examines the publication of this ancient song.
It was these interesting characters that represented the new cosmopolitan elite of 18th-century London. In the characters of Mister Spectator’s club was a microcosm of the people who mattered in society: the aristocracy and the middle classes.
In 1714 George I of Hanover ascended to the throne of the United Kingdom. Many were unhappy with their new German king and the Earl of Mar, in 1715, raised the standard of the royal house of Stuart to win back the throne for the “true” king in exile, the son of James II. A leading journalist decided to mock the rebels.
As Du Vall approached the carriage he and looked into the window flashing his huge pistol, he exclaimed: “Those eyes of yours, madam, have undone me. I am captivated with that pretty good-natured smile.”
In the 18th century, a man could vote twice. He also expected to be paid expenses if he had to travel to vote. He also expected to be wined and dined by the
Joseph Ritson was a man of humble beginnings, a great scholar, a friend to the poor, and a radical, and his work had a profound influence on 19th- and 20th-century Robin Hood novels and films.
This poem, written by Robert Southey in 1791, has never been seen before by Robin Hood scholars. It is taken from the manuscript of a novel, currently unpublished, written by Robert Southey in 1791.
“There are two kinds of immortality: that which the soul really enjoys
after this life, and that imaginary existence by which men live in
their fame and reputation. The best and greatest actions have proceeded
from the prospect of the one or the other of these; but my design is to
treat only of those who have chiefly proposed to themselves the latter
as the principal reward of their labours.”
Through the centuries, many poets have turned their hand to writing about Robin Hood. In the 1740s, at the height of the neoclassical movement in English culture, John Winstanley reimagined Robin Hood as a classical archer who competed with Apollo.
The name of Robin Hood appears in the most unlikely of places. Here we meet an orphan boy from the eighteenth century who was given the hero’s name.
“A general spirit of discontent has long been increasing among the people: it has at last broken out among the lower class in London.”
“Do not be deceived: bad company corrupts good morals.” (1 Corinthians 15: 33, ASV)
In 1824, the lawyer, Andrew Kapp, asked, “Do not these creatures, when they are bruised and wounded, shew an equal sense of pain with ourselves? Are not their shrieks and mournful cries, as so many, calls upon their tormentors for pity? And do not their dying pangs, and the painful convulsions of their tortured bodies, cause uneasiness in every human spectator?”
“We would have killed the king and driven out of the land all possessioners, bishops, monks, canons, and rectors of churches. We would have created kings, Walter Tyler in Kent and one each in other counties, and appointed them and we would have set fire to four parts of the city and burnt it down and divided all the precious goods found there amongst ourselves.”
In the archvies of the Bodleian Library, Oxford there is a hitherto neglected Robin Hood novel by Robert Southey entitled ‘Harold, or the Castle of Morford’ (1791). This post is a short introduction to this text.
In the 18th century, people asssumed that if you shunned work and acted like an idle apprentice, you would become a criminal.
Oleksa Dovbush was an outlaw/freedom fighter who robbed from the rich to give to the poor.
Broadly speaking, criminals fall into three types: heroes, buffoons, and brutes.[i] The categories are just as applicable to the eighteenth and nineteenth centuries as they are today – ‘heroes’ would be men […]