
By the 1830s, the figure of the highwayman had almost vanished from Britain’s roads, but in a series of novels during the 1830s they were romanticised, and some authors adapted their stories to critique early Victorian society.
By the 1830s, the figure of the highwayman had almost vanished from Britain’s roads, but in a series of novels during the 1830s they were romanticised, and some authors adapted their stories to critique early Victorian society.
The ‘long eighteenth century’ (c.1688-c.1837) is not a period that people usually associate with medievalism…but the subject of this post is the play “King Arthur, or the British Worthy” (1691) by John Dryden and Henry Purcell.
Prince John is now one of the stock villains of movie and television adaptations of the Robin Hood legend, but this wasn’t always the case…
Every book which survives from the eighteenth century is a unique object, and likely there is not another one like it in the whole world.
The Waverley Novels were a series of novels written by the great Sir Walter Scott (1771-1832). Amongst this series of novels were many which people today might recognise: Waverley (1814), The Antiquary (1816), Rob Roy (1817), Ivanhoe (1819), and Woodstock (1826) to name but a few.
The Waverley Novels were a series of novels written by the great Sir Walter Scott (1771-1832). Amongst this series of novels were many which people today might recognise: Waverley (1814), The Antiquary (1816), Rob Roy (1817), Ivanhoe (1819), to name but a few.
The Royal Botanical Gardens at Kew were founded by Princess Augusta (1713-1772) in the 1760s. In 1838 a Royal Commission was set up to inquire into the future of the gardens. The Commission concluded that, after years of official neglect, ‘the gardens should either be put on a professional footing or be closed’.
‘…every wise man would wish to absent from, rather than pay for a feat to behold, a mixture of noise, nonsense, and confusion. Amidst this jargon of men and things, thus promiscuously […]
In the penny dreadful version of The New Newgate Calendar, scenes of the most sensational and sexual type were included for publication – torture scenes, nudity, and flagellation – and sparked a moral panic amongst middle-class press commentators.
The early eighteenth century was one of the best ages for satire. Writers such as Joseph Addison (1672-1719) and Richard Steele (1672-1729) wrote their Spectator and Tatler magazines to expose the follies […]
In 1751 the novelist and Magistrate of Westminster, Henry Fielding (1707-1754) published An Enquiry into the Causes of the Late Increase of Robbers. ‘The great Increase of Robberies within these few years,’ […]
Whilst most people generally conceive of organised crime as being a distinctly modern, 20th-century, phenomenon, it has a longer history than first assumed. This post uses the theoretical framework of modern-day criminology to analyse the organised crime network established by Jonathan Wild in London in the early 18th century.
The folktale of “The Two Children in the Wood” has always been popular with audiences, in spite of its grim content, depicting as it does the death of two children. However, the legend became incorporated into the Robin Hood tradition in the nineteenth century, This post discusses why two very different legends came to be associated.
Romanticism was a cultural and intellectual movement spearheaded by poets, artists, writers, sculptors and musicians. Whereas in the eighteenth century men such as Joseph Addison (1672-1719) complained that rural people and provincial […]
During the 18th century crime was the talk of the town in England. In 1751, the crime rate had reached such hellish proportions that the Magistrate of Westminster, Henry Fielding (the author […]
Whilst re-organising my home work space, I came across my undergraduate dissertation. I focused upon representations of polite society in eighteenth-century print culture, with a particular focus upon the periodicals of two […]
One of the reasons for the longevity of the Robin Hood legend is the fact that, in the original medieval ballads, his origins are not stated. He is simply there, in the […]