Tag: 19th Century

The Life and Work of Victorian Illustrator Henry Anelay (1816–83) | Robert J. Kirkpatrick

Henry Anelay (1816–1883) was a prolific yet now-forgotten Victorian illustrator and painter. Closely linked with G.W.M. Reynolds, he supplied artwork for major serials and contributed to The Illustrated London News and numerous children’s, religious, and popular publications. A versatile draughtsman and later landscape painter, he also exhibited at the Royal Academy. Despite his wide output and public presence, Anelay has slipped almost entirely from modern scholarship.

Satan, Morality, and Temptation in Álvares de Azevedo’s “Macário” (1850) | Stephen Basdeo

Álvares de Azevedo’s Macário (1850) transforms the traditional tempter of Christian drama into a philosophical moral arbiter who performs God’s work in sifting the irredeemable from the earth. In Macário, then, the Devil emerges not as corrupter or tempter but as the play’s moral centre: urbane, eloquent, and disgusted by human hypocrisy and irreligiosity. His irony exposes the spiritual decay of a society already more corrupt than Hell itself.

Joseph Frank (1770–1842): Editor of Joseph Ritson’s “Robin Hood: A Collection of all the Ancient Poems, Songs, and Ballads” (1795) | Stephen Basdeo

Joseph Ritson (1752-1803), a conveyancer and passionate literary critic, significantly impacted the study of the Robin Hood legend with his 1795 work, “Robin Hood: A Collection of all the Ancient Poems.” His nephew, Joseph Frank, later edited Ritson’s works, updating and adapting them for contemporary audiences while preserving their scholarly essence.

Bruce Gilley’s “The Case for Colonialism” (2023) | Stephen Basdeo

“The case for European colonialism is simple. It is the case for humanity itself, for the ways that human beings have always acted rationally to better their situations in life and those of their children … It is the case for peace, progress, and running water. It is the case for living in a place where life is better and escaping from a place where life is worse.”

The Mystery of Susannah F. Reynolds | Robert J. Kirkpatrick

Despite the best efforts of researchers such as Dick Collins, her true identity and background have never been established. All the available records give us is that she says she was born in London in around 1819. We know that she married Reynolds in 1835, but this was not her first marriage – she had married another man three years previously.

Camilo Castelo Branco’s ‘Mysteries of Lisbon’ (1854): Chapter Three | [Trans. Stephen Basdeo]

And yet my position was already different in the little society I knew. A new lease of life was given to me—a new freedom—more attention was shown to me—I was even placed in a new room! What was all this for? Why wouldn’t D. Antonia, whom I asked with childish idiocy, tell me wherefore? The priest didn’t tell me, but then I wouldn’t have the audacity to ask him.

New York in the Nineteenth Century: Illustrations from the life of George McWatters’s “Knots Untied” (1871)

At a time when Henry Mayhew ventured like an explorer into the ‘darkest’ parts of London to publish London Labour and the London Poor (1851), social investigators such as Jacob A. Riis and Helen Campbell did the same for New York city. And just as French policemen such as Vidocqu published their recollections of their time in the police—a book which inspired the characters of Jean Valjean and Javert in Victor Hugo’s Les Miserables—so too did one Scottish-American detective, named George McWatters, publish his memoir of policing.