Pierce Egan’s neglected 1832 poem “The Queen of the Bow” transformed a seventeenth-century Robin Hood ballad into a polished pastoral for contemporary sports readers. Drawing upon classical imagery and antiquarian scholarship, it presents Clorinda—not Maid Marian—as Robin’s wife and a formidable huntress, revealing the legend’s continuing imaginative, remarkable flexibility.
Pierce Egan’s “Robin Hood” was an early Victorian bestseller. In the first edition, Egan also appended a collection of Robin Hood ballads alongside his novel, for which he provided the illustrations.
“We would have killed the king and driven out of the land all possessioners, bishops, monks, canons, and rectors of churches. We would have created kings, Walter Tyler in Kent and one each in other counties, and appointed them and we would have set fire to four parts of the city and burnt it down and divided all the precious goods found there amongst ourselves.”