This article examines Punch’s 1894 poem ‘Bold Robin Hood’, which recast Sir William Harcourt’s Budget as fiscal outlawry. Rather than celebrating Robin Hood’s moral economy, Edwin James Milliken’s satire made redistributive taxation appear as cant, coercion, and highway robbery in defence of property and middle-class respectability.
Zé Maria da Fortaleza’s Adventures of Robin Hood (2007) retells the outlaw legend in Brazilian cordel verse. Robin becomes leader of a woodland brotherhood resisting injustice, defeats the Sheriff through disguise and skill, wins Marian’s love, and is ultimately vindicated by King Richard, blending English folklore with Brazilian popular tradition.
This article examines how the Robin Hood tradition was reshaped in the seventeenth century to express explicit anti-Catholic sentiment. Focusing on Robin Hood’s Golden Prize (1631) by the prolific broadside writer Laurence Price, earlier medieval critiques of corrupt churchmen were transformed after the Reformation into polemic aimed at Catholic priests.