Let the king live, but let the government perish!” May we not profit by this bright example, or shall the pages of history continue unfolded to us in vain?
Let the king live, but let the government perish!” May we not profit by this bright example, or shall the pages of history continue unfolded to us in vain?
Had this fierce untameable man, who, led only by the instinct of plunder and blood, any right claim to have his position recognised by millions of people as a king by right divine?
Eliza Cook (24 December 1818 – 23 September 1889) was an English author and poet associated with the pro-democracy Chartist movement.
To Switzerland originally appeared in a Chartist songbook in 1839 and celebrates the beautiful country’s landscape and long tradition of political liberty.
There is no country on the face of the earth where despotisms prevails with more horrible atrocity than in Canada. We can well conceive the sort of sympathies entertained by the Melbourne and Russell government, when they permitted that splendid colony to be devastated by inhuman fiends, whose names shall be consigned to eternal infamy, as samples of the cannibal spirit of aristocratic domination. May our beneficent CREATOR grant that the British People may yet prove the liberators of the brave, bleeding, and prostrate Canadians!
A radical song, written by Thomas Jenkins at the beginning of the Chartist movement, urging the Welsh to rise up and fight for democracy.
An anonymously written song from 1839 urging the Victorian working classes on to revolution: Awake! the torpor of this dream, / This icy weight on Feeling’s stream— / This dull yielding to your foes / Invites and justifies their blows!.
What would a Chartist republic look like in practice? Very few Chartist novelists discussed this question in depth, as most of them merely shined a light on social issues of the day. G W M Reynolds, however, used the fictional Italian state of Castelcicala in The Mysteries of London as a ‘laboratory’ in which his progressive theories of government might be tested.
The strongest sympathy was manifested by the men of Saxon origin for Robin Hood, whom they looked upon as their chieftain and defender,—“I would rather die,” said an old woman to him one day—I would rather die than not do all I might to save thee; for who fed and clothed me and mine but thou and Little John.”
The “Glorious Trio” first appeared in Leno’s collection titled Drury Lane Lyrics and Other Poems (1867). It celebrates three of England’s greatest medieval heroes: Robin Hood, Wat Tyler, Hereward the Wake.
In 1832, the publisher Charles Knight had a bright idea: every Saturday he would publish a new magazine which whose aim was to educate working-class readers about their world. It would not contain news, and would therefore be exempt from the Stamp Tax (the much-hated “tax on knowledge”), meaning that its retail price would be very low at only 1d.
Robin Hood is significant, not because of the life of any real person but because he is a symbol. So, appropriations of his name in later centuries are significant because they highlight what the name meant to people like you and I in times past.
I recently came into possession of a book written by Thomas Cooper (1805-92), a famous Chartist activist, which he gave to his friend, the newspaper proprietor and fellow Chartist, John Cleave (1790-1847).
Chartists writers loved drawing inspiration from England’s medieval past; in their campaign for political reform, which better figure could they choose than England’s famous outlaw from the Middle Ages?
“I only strive to arouse the grovelling spirit of the industrious millions to a sense of the wrongs under which they labour.”
“A plebeian fighting for the poor and rewarded with poverty.”
In Thomas Miller’s novel ‘Royston Gower’ (1838), Robin Hood is portrayed as a medieval Chartist activist.