I feel bad writing about something like this, like I’m betraying my eighteenth-century roots.
I feel bad writing about something like this, like I’m betraying my eighteenth-century roots.
In 1637 Ben Jonson began work on a Robin Hood play, “The Sad Shepherd; or, a Tale of Robin Hood,” and presented an idealised, pastoral outlaw world.
Whilst re-organising my home work space, I came across my undergraduate dissertation. I focused upon representations of polite society in eighteenth-century print culture, with a particular focus upon the periodicals of two […]