Leandro Machado’s translation of Brazilian Romantic poet Álvares de Azevedo’s ‘Lembrança de Morrer’ (Memory of Dying)
Álvares de Azevedo’s “Memory of Dying” [Lembrança de Morrer] | Leandro Machado (Trans.)
Dr Stephen Basdeo
Stephen Basdeo is a historian and writer based in Leeds, UK. He is the author of several peer-reviewed journal articles, book chapters, and popular history books.
Cormac McCarthy’s The Road (2006) | Stephen Basdeo
“Sooner or later they will catch us and kill us. They will rape me. They’ll rape him. They are going to rape us and kill us and eat us.”
Dom Pedro II: The Emperor of Brazil in the Victorian Periodical Press | Stephen Basdeo
The monarchy of Pedro II, a figure who commanded respect from Conservatives and Liberals, was an ardent abolitionist whose support for the cause spelled the end of his reign.
The Bottle Imp (1828) by Richard Brinsley Peake | Stephen Basdeo
“Thou mayest be the envy of the world during the day, but night must come, and at night thou must always expect my cheering presence!”
Soneto: Palidá a Luz [Sonnet: Pale the Light] | Álvarez de Azevedo
Manuel Antônio Álvares de Azevedo (1831–52), referred to usually as Álvares de Azevedo, was Brazil’s most famous Romantic poet. Yet because his works have never been translated into English, Azevedo remains unknown to most British and American scholars.
“Mysteries of Lisbon” (1854) by Camilo Branco | Stephen Basdeo
Mysterymania gripped the world in the 1840s and 1850s. From London and France it spread to USA, Germany, Italy, Brazil, and Portugal. Camilo Branco’s Misterios de Lisboa was part of this thrilling genre.
Eugene Sue’s “Mysteries of the People” (1848): “The Branding Needle” and the First French Commune | Stephen Basdeo
To reign! the ambition of great souls! To reign like the Emperors of Rome! I wish to emulate them in all their sovereign omnipotence!
“The Sonnets of Luis de Camões” (1803) by Viscount Strangford | Stephen Basdeo
What Strangford wanted to do was translate Luis de Camões’s little-known sonnets, and the result was Poems, from the Portuguese of Luis de Camoens.
How Eighteenth-Century Governments Worked | Stephen Basdeo
What a minister needed to succeed in a political career was, therefore, not the confidence of the House of Commons but the confidence of the king.
A Refutation of Lies: An Open Letter in Response to Defamation by Dr Helen Young | Howard Williams
An associate of mine, Dr Howard Williams, gives his account of the lies and defamation spread about him at the hands of certain medievalists in the journal Postmedieval.
Victorian-Era Robin Hood Conferences | Stephen Basdeo
All of the newspapers which covered the event paid significant attention to the panel on Robin Hood, which, if it happened to a Robin Hood conference today, would be a significant publicity coup.
Desânimo [“Dejection”] | Álvares de Azevedo and Luiz Guerra
‘Desanimo’ [Dejection] first appeared in Álvares de Azevedo’s posthumous collection of poetry titled Lira dos Vinte Anos (1853).
Já da Morte [“Already has Death”] | Álvares de Azevedo
None of these writings were to be published while Álvares was alive, however, for in true Romantic style, he died young. Having contracted tuberculosis while living in São Paolo, he moved to his family’s country estate to recover. While travelling to his family’s home he fell from his horse and died from his injuries.
“Something strange and marvellous”: Victor Hugo’s Essay on Walter Scott | Stephen Basdeo
“He unites the exactness of the [medieval] chronicles, the majestic grandeur of history, and the all-compelling interest of romance.”
Robin Hood’s Grave: A Poem (1827) | “J.A.”
The following poem, written by “J.A.” and titled “Robin Hood’s Grave” appeared in the Newcastle Magazine in November 1827. It has been transcribed by Stephen Basdeo.
Robin Hood: The Academic Study of a Legend | Stephen Basdeo
What have historians said about Robin Hood, who he was, and the social and political context in which the early tales emerged?
“The Radical Nature of God’s Love”: Words from Rev. Rosemary Mitchell | Stephen Basdeo
“The radical nature of God’s love is that he brings joy, not happiness; love, not kindness; peace, not the absence of war; justice, not laws; truth, not facts; mercy, not toleration; this is not about keeping rules but transforming lives.”
Victor Hugo’s Early Modern Outlaw Play: “Hernani” (1830)
Fans of outlaw stories, if they were ever able to time travel, might travel back to the 1820s and 1830s when Victor Hugo’s outlaw drama premiered.
John Beaumont’s Boudicca (1647) | Stephen Basdeo
The Ancient Britons’ rebellion was depicted as their last gasp in the fight for independence against the domination of the Roman Empire.
Victor Hugo’s “Ninety-Three” (1874) | Stephen Basdeo
Revolution is humanity’s surgeon, it cuts out the tumour, it cuts off the gangrened limb—What! would you have pity for the virus? For the gangrened limb!
Remembering Rosemary Mitchell | Stephen Basdeo
The author of numerous scholarly articles and the monograph Picturing the Past, Rosemary was truly a leading scholar. Having retired from Leeds Trinity University in 2019, she then retrained to serve in the Church of England and was due to take up a post as a deacon at a church in Skipton, Yorkshire, but her illness and death prevented this.
The First British Edition of Nathaniel Hawthorne’s “Feathertop” in Home Circle (1852) | Stephen Basdeo
The first British edition of Nathaniel Hawthorne’s “Feathertop” in Home Circle in 1852. Hawthorne scholars have previously been unaware of the appearance of “Feathertop” in this magazine.
Mocking Louis Phillippe in Exile (1848) | Victor Hugo
After Victor Hugo’s death, and before the publication of his letters (many of which remain unpublished), Paul Maurice published Memoirs of Victor Hugo. This was not chronological autobiography but was, as Maurice remarked, […]
Louis XVI’s Execution: An Eyewitness Account | Leboucher
After Victor Hugo’s death, and before the publication of his letters (many of which remain unpublished), Paul Maurice published Memoirs of Victor Hugo. This was not chronological autobiography but was, as Maurice […]