“Sooner or later they will catch us and kill us. They will rape me. They’ll rape him. They are going to rape us and kill us and eat us.”
Cormac McCarthy’s The Road (2006) | Stephen Basdeo
The Bottle Imp (1828) by Richard Brinsley Peake | Stephen Basdeo
“Thou mayest be the envy of the world during the day, but night must come, and at night thou must always expect my cheering presence!”
Soneto: Palidá a Luz [Sonnet: Pale the Light] | Álvarez de Azevedo
Manuel Antônio Álvares de Azevedo (1831–52), referred to usually as Álvares de Azevedo, was Brazil’s most famous Romantic poet. Yet because his works have never been translated into English, Azevedo remains unknown to most British and American scholars.
“Mysteries of Lisbon” (1854) by Camilo Branco | Stephen Basdeo
Mysterymania gripped the world in the 1840s and 1850s. From London and France it spread to USA, Germany, Italy, Brazil, and Portugal. Camilo Branco’s Misterios de Lisboa was part of this thrilling genre.
Eugene Sue’s “Mysteries of the People” (1848): “The Branding Needle” and the First French Commune | Stephen Basdeo
To reign! the ambition of great souls! To reign like the Emperors of Rome! I wish to emulate them in all their sovereign omnipotence!
“The Sonnets of Luis de Camões” (1803) by Viscount Strangford | Stephen Basdeo
What Strangford wanted to do was translate Luis de Camões’s little-known sonnets, and the result was Poems, from the Portuguese of Luis de Camoens.
Desânimo [“Dejection”] | Álvares de Azevedo and Luiz Guerra
‘Desanimo’ [Dejection] first appeared in Álvares de Azevedo’s posthumous collection of poetry titled Lira dos Vinte Anos (1853).
Já da Morte [“Already has Death”] | Álvares de Azevedo
None of these writings were to be published while Álvares was alive, however, for in true Romantic style, he died young. Having contracted tuberculosis while living in São Paolo, he moved to his family’s country estate to recover. While travelling to his family’s home he fell from his horse and died from his injuries.
Robin Hood: The Academic Study of a Legend | Stephen Basdeo
What have historians said about Robin Hood, who he was, and the social and political context in which the early tales emerged?
Victor Hugo’s Early Modern Outlaw Play: “Hernani” (1830)
Fans of outlaw stories, if they were ever able to time travel, might travel back to the 1820s and 1830s when Victor Hugo’s outlaw drama premiered.
Victor Hugo’s “Ninety-Three” (1874) | Stephen Basdeo
Revolution is humanity’s surgeon, it cuts out the tumour, it cuts off the gangrened limb—What! would you have pity for the virus? For the gangrened limb!
Remembering a Poor Irishman and his Penny Dreadfuls (1893) | Katharine Tynan
“G. W. M. Reynolds we devoured in The Coral Island, a big tome of horrors; and there was Eugéne Sue’s Mysteries of Paris in three big volumes.”
Sunset (1840) | G. W. M. Reynolds
The following short poem appeared in G.W.M. Reynolds’s novel Robert Macaire. Away, away, the god of day Depart to another sphere: The mists arise, but the darkling skies Like a jewell’d vest […]
Suicide of Antonin Moyne (1849) | Victor Hugo
After Victor Hugo’s death, and before the publication of his letters (many of which remain unpublished), Paul Maurice published Memoirs of Victor Hugo. This was not chronological autobiography but was, as Maurice […]
Angel or Demon (1835) | Victor Hugo
The following poem was written in French in 1835 then translated into English and published in Fraser’s Magazine.
The Janissary and Massacre of the Christians (1850) [Part 2] | G. W. M. Reynolds
“Karl has a wife and a child—if you consign him to death, you kill three persons at once;—if you give me up to the executioner, my fate will redound so terribly on no one!”
The Janissary and Massacre of the Christians (1850) | G. W. M. Reynolds
His rage knew no bounds. He muttered threats of deadly vengeance; and on the following morning, he commanded the prisoners to be brought into his presence. Then commenced a terrible massacre, the horrors of which no human pen nor tongue can narrate.
The Comic History of Oliver Cromwell (1847) | Gilbert Abbot á Beckett
In those days, a joke would lead the perpetrator to the gibbet, and a pun was so highly penal—as, perhaps, it ought to be—that a dull dog who had dropped one by mistake, was called upon to find heavy securities for his good behaviour.
Luke Hutton’s “Black Dogge of Newgate” (1596) | Stephen Basdeo
During the sixteenth century a new genre of popular literature arrived in England. Adapted from literature that was flourishing in Spain, a stream of printed books and pamphlets shined a light on the seedy underworld in England’s capital city. The genre — Rogue Literature.
A Tale of the Great Plague (c.1840) | Thomas Hood
Thomas Hood (1799–1845) was born in London and, his father being a bookseller, grew up around books. He went on to become a poet, novelist, and satirist. Most famous for his poetry, William Michael Rossetti in 1903 declared him “the finest English poet” between the generations of Shelley and Tennyson.” Although by their nature pandemics are very serious affairs, this particular short story takes a somewhat lighter approach to portraying a pandemic.
The Early Works of Eugene Sue | G. W. M. Reynolds
His style reminds us of Cooper’s most approved nautical fictions, rather than of the coarse and vulgar “yarns” so tediously spun by Captain Marryat. He introduces us to scenes and adventures of stirring and painful interest.
De Balzac’s Works | G. W. M. Reynolds
A page of his book an echo to the tablet of his memory; and hence does he occasionally detail minutely those feelings and passions which the generality of authors usually express in one word.
Humours of May Fair (1760): or, Scenes of 18th-Century Life | Anonymous
With hideous face, and tuneless note, A ballad-singer strains his throat; Roars out the life of Betty Saunders, With Turpin Dick, and Molly Flanders; Tells many woeful tragic stories, Recorded of our British worthies.
The Sisters: A Tale | Susannah Frances Reynolds
This is a short story by Susannah Reynolds, printed in Reynolds’s Monthly Magazine, December 1838. The story has been transcribed by Jessica Elizabeth Thomas.