To reign! the ambition of great souls! To reign like the Emperors of Rome! I wish to emulate them in all their sovereign omnipotence!
Eugene Sue’s “Mysteries of the People” (1848): “The Branding Needle” and the First French Commune | Stephen Basdeo
“The Sonnets of Luis de Camões” (1803) by Viscount Strangford | Stephen Basdeo
What Strangford wanted to do was translate Luis de Camões’s little-known sonnets, and the result was Poems, from the Portuguese of Luis de Camoens.
Victorian-Era Robin Hood Conferences | Stephen Basdeo
All of the newspapers which covered the event paid significant attention to the panel on Robin Hood, which, if it happened to a Robin Hood conference today, would be a significant publicity coup.
Desânimo [“Dejection”] | Álvares de Azevedo and Luiz Guerra
‘Desanimo’ [Dejection] first appeared in Álvares de Azevedo’s posthumous collection of poetry titled Lira dos Vinte Anos (1853).
Já da Morte [“Already has Death”] | Álvares de Azevedo
None of these writings were to be published while Álvares was alive, however, for in true Romantic style, he died young. Having contracted tuberculosis while living in São Paolo, he moved to his family’s country estate to recover. While travelling to his family’s home he fell from his horse and died from his injuries.
“Something strange and marvellous”: Victor Hugo’s Essay on Walter Scott | Stephen Basdeo
“He unites the exactness of the [medieval] chronicles, the majestic grandeur of history, and the all-compelling interest of romance.”
Robin Hood’s Grave: A Poem (1827) | “J.A.”
The following poem, written by “J.A.” and titled “Robin Hood’s Grave” appeared in the Newcastle Magazine in November 1827. It has been transcribed by Stephen Basdeo.
Victor Hugo’s Early Modern Outlaw Play: “Hernani” (1830)
Fans of outlaw stories, if they were ever able to time travel, might travel back to the 1820s and 1830s when Victor Hugo’s outlaw drama premiered.
Victor Hugo’s “Ninety-Three” (1874) | Stephen Basdeo
Revolution is humanity’s surgeon, it cuts out the tumour, it cuts off the gangrened limb—What! would you have pity for the virus? For the gangrened limb!
The First British Edition of Nathaniel Hawthorne’s “Feathertop” in Home Circle (1852) | Stephen Basdeo
The first British edition of Nathaniel Hawthorne’s “Feathertop” in Home Circle in 1852. Hawthorne scholars have previously been unaware of the appearance of “Feathertop” in this magazine.
Mocking Louis Phillippe in Exile (1848) | Victor Hugo
After Victor Hugo’s death, and before the publication of his letters (many of which remain unpublished), Paul Maurice published Memoirs of Victor Hugo. This was not chronological autobiography but was, as Maurice remarked, […]
Louis XVI’s Execution: An Eyewitness Account | Leboucher
After Victor Hugo’s death, and before the publication of his letters (many of which remain unpublished), Paul Maurice published Memoirs of Victor Hugo. This was not chronological autobiography but was, as Maurice […]
Remembering a Poor Irishman and his Penny Dreadfuls (1893) | Katharine Tynan
“G. W. M. Reynolds we devoured in The Coral Island, a big tome of horrors; and there was Eugéne Sue’s Mysteries of Paris in three big volumes.”
The History of the Bastille (1838) | G. W. M. Reynolds
The effects of that glorious revolution which gave so vast an impulse to the energies and intelligence of the French, have been subsequently felt by all the other nations of Europe; and while Burke aimed his thunders against those principles which restored a desponding people to freedom, light, and happiness…
On the Democracy of the United States and the Bourgeoisie of France (1838) | G. W. M. Reynolds
The fact is, that America is better understood by Europeans than by its own citizens. While she is occupied in self-contemplation and self-admiration—a state of quiescent beatitude originated by amour-propre—we are in a situation which enables us to judge of her with impartiality and calmness.
Sunset (1840) | G. W. M. Reynolds
The following short poem appeared in G.W.M. Reynolds’s novel Robert Macaire. Away, away, the god of day Depart to another sphere: The mists arise, but the darkling skies Like a jewell’d vest […]
Suicide of Antonin Moyne (1849) | Victor Hugo
After Victor Hugo’s death, and before the publication of his letters (many of which remain unpublished), Paul Maurice published Memoirs of Victor Hugo. This was not chronological autobiography but was, as Maurice […]
Angel or Demon (1835) | Victor Hugo
The following poem was written in French in 1835 then translated into English and published in Fraser’s Magazine.
The Janissary and Massacre of the Christians (1850) [Part 2] | G. W. M. Reynolds
“Karl has a wife and a child—if you consign him to death, you kill three persons at once;—if you give me up to the executioner, my fate will redound so terribly on no one!”
The Janissary and Massacre of the Christians (1850) | G. W. M. Reynolds
His rage knew no bounds. He muttered threats of deadly vengeance; and on the following morning, he commanded the prisoners to be brought into his presence. Then commenced a terrible massacre, the horrors of which no human pen nor tongue can narrate.
The Comic History of Oliver Cromwell (1847) | Gilbert Abbot á Beckett
In those days, a joke would lead the perpetrator to the gibbet, and a pun was so highly penal—as, perhaps, it ought to be—that a dull dog who had dropped one by mistake, was called upon to find heavy securities for his good behaviour.
A Tale of the Great Plague (c.1840) | Thomas Hood
Thomas Hood (1799–1845) was born in London and, his father being a bookseller, grew up around books. He went on to become a poet, novelist, and satirist. Most famous for his poetry, William Michael Rossetti in 1903 declared him “the finest English poet” between the generations of Shelley and Tennyson.” Although by their nature pandemics are very serious affairs, this particular short story takes a somewhat lighter approach to portraying a pandemic.
Song to Freedom (1835) | Charles Cole
While the Spirit within me awakens to song,[1] The strain, lovely Freedom! to thee shall belong ; Where’er thou art fetter’d, where’er thou art free, While I waken the lyre, it shall […]
The Early Works of Eugene Sue | G. W. M. Reynolds
His style reminds us of Cooper’s most approved nautical fictions, rather than of the coarse and vulgar “yarns” so tediously spun by Captain Marryat. He introduces us to scenes and adventures of stirring and painful interest.