None of these writings were to be published while Álvares was alive, however, for in true Romantic style, he died young. Having contracted tuberculosis while living in São Paolo, he moved to his family’s country estate to recover. While travelling to his family’s home he fell from his horse and died from his injuries.
“He unites the exactness of the [medieval] chronicles, the majestic grandeur of history, and the all-compelling interest of romance.”
The following poem, written by “J.A.” and titled “Robin Hood’s Grave” appeared in the Newcastle Magazine in November 1827. It has been transcribed by Stephen Basdeo.
Fans of outlaw stories, if they were ever able to time travel, might travel back to the 1820s and 1830s when Victor Hugo’s outlaw drama premiered.
Revolution is humanity’s surgeon, it cuts out the tumour, it cuts off the gangrened limb—What! would you have pity for the virus? For the gangrened limb!
The first British edition of Nathaniel Hawthorne’s “Feathertop” in Home Circle in 1852. Hawthorne scholars have previously been unaware of the appearance of “Feathertop” in this magazine.
After Victor Hugo’s death, and before the publication of his letters (many of which remain unpublished), Paul Maurice published Memoirs of Victor Hugo. This was not chronological autobiography but was, as Maurice remarked, […]
After Victor Hugo’s death, and before the publication of his letters (many of which remain unpublished), Paul Maurice published Memoirs of Victor Hugo. This was not chronological autobiography but was, as Maurice […]
“G. W. M. Reynolds we devoured in The Coral Island, a big tome of horrors; and there was Eugéne Sue’s Mysteries of Paris in three big volumes.”
The effects of that glorious revolution which gave so vast an impulse to the energies and intelligence of the French, have been subsequently felt by all the other nations of Europe; and while Burke aimed his thunders against those principles which restored a desponding people to freedom, light, and happiness…
The fact is, that America is better understood by Europeans than by its own citizens. While she is occupied in self-contemplation and self-admiration—a state of quiescent beatitude originated by amour-propre—we are in a situation which enables us to judge of her with impartiality and calmness.
The following short poem appeared in G.W.M. Reynolds’s novel Robert Macaire. Away, away, the god of day Depart to another sphere: The mists arise, but the darkling skies Like a jewell’d vest […]
After Victor Hugo’s death, and before the publication of his letters (many of which remain unpublished), Paul Maurice published Memoirs of Victor Hugo. This was not chronological autobiography but was, as Maurice […]
The following poem was written in French in 1835 then translated into English and published in Fraser’s Magazine.
“Karl has a wife and a child—if you consign him to death, you kill three persons at once;—if you give me up to the executioner, my fate will redound so terribly on no one!”
His rage knew no bounds. He muttered threats of deadly vengeance; and on the following morning, he commanded the prisoners to be brought into his presence. Then commenced a terrible massacre, the horrors of which no human pen nor tongue can narrate.
In those days, a joke would lead the perpetrator to the gibbet, and a pun was so highly penal—as, perhaps, it ought to be—that a dull dog who had dropped one by mistake, was called upon to find heavy securities for his good behaviour.
Thomas Hood (1799–1845) was born in London and, his father being a bookseller, grew up around books. He went on to become a poet, novelist, and satirist. Most famous for his poetry, William Michael Rossetti in 1903 declared him “the finest English poet” between the generations of Shelley and Tennyson.” Although by their nature pandemics are very serious affairs, this particular short story takes a somewhat lighter approach to portraying a pandemic.
While the Spirit within me awakens to song,[1] The strain, lovely Freedom! to thee shall belong ; Where’er thou art fetter’d, where’er thou art free, While I waken the lyre, it shall […]
His style reminds us of Cooper’s most approved nautical fictions, rather than of the coarse and vulgar “yarns” so tediously spun by Captain Marryat. He introduces us to scenes and adventures of stirring and painful interest.
A page of his book an echo to the tablet of his memory; and hence does he occasionally detail minutely those feelings and passions which the generality of authors usually express in one word.
The following poem was written by Charles Cole and originally appeared in A Poetical Address to his Grace the Duke of Wellington (1835). It has been transcribed by Stephen Basdeo.
The Political notions of the poet must not be judged by this Song. In condemning the conduct of an individual, who betrayed a woman to her enemies, he does not vituperate the subsequent measures which were necessarily adopted with regard to that noble personage: he simply anathematizes the name of a wretch, whose heart, devoid of all kind feelings of gratitude—of respect—and of pity, was corrupted by gold, and rendered subservient to the designs of his employers.
Victor Hugo’s poem ‘Poland’ was originally written in 1833 and published in Les Chants des Crepuscules. It was later translated into English by George W.M. Reynolds in Songs of Twilight (1836), which has recently been published as a single volume, transcribed by Stephen Basdeo.