“G. W. M. Reynolds we devoured in The Coral Island, a big tome of horrors; and there was Eugéne Sue’s Mysteries of Paris in three big volumes.”
Remembering a Poor Irishman and his Penny Dreadfuls (1893) | Katharine Tynan
The History of the Bastille (1838) | G. W. M. Reynolds
The effects of that glorious revolution which gave so vast an impulse to the energies and intelligence of the French, have been subsequently felt by all the other nations of Europe; and while Burke aimed his thunders against those principles which restored a desponding people to freedom, light, and happiness…
On the Democracy of the United States and the Bourgeoisie of France (1838) | G. W. M. Reynolds
The fact is, that America is better understood by Europeans than by its own citizens. While she is occupied in self-contemplation and self-admiration—a state of quiescent beatitude originated by amour-propre—we are in a situation which enables us to judge of her with impartiality and calmness.
Sunset (1840) | G. W. M. Reynolds
The following short poem appeared in G.W.M. Reynolds’s novel Robert Macaire. Away, away, the god of day Depart to another sphere: The mists arise, but the darkling skies Like a jewell’d vest […]
Suicide of Antonin Moyne (1849) | Victor Hugo
After Victor Hugo’s death, and before the publication of his letters (many of which remain unpublished), Paul Maurice published Memoirs of Victor Hugo. This was not chronological autobiography but was, as Maurice […]
Angel or Demon (1835) | Victor Hugo
The following poem was written in French in 1835 then translated into English and published in Fraser’s Magazine.
The Janissary and Massacre of the Christians (1850) [Part 2] | G. W. M. Reynolds
“Karl has a wife and a child—if you consign him to death, you kill three persons at once;—if you give me up to the executioner, my fate will redound so terribly on no one!”
The Janissary and Massacre of the Christians (1850) | G. W. M. Reynolds
His rage knew no bounds. He muttered threats of deadly vengeance; and on the following morning, he commanded the prisoners to be brought into his presence. Then commenced a terrible massacre, the horrors of which no human pen nor tongue can narrate.
The Comic History of Oliver Cromwell (1847) | Gilbert Abbot á Beckett
In those days, a joke would lead the perpetrator to the gibbet, and a pun was so highly penal—as, perhaps, it ought to be—that a dull dog who had dropped one by mistake, was called upon to find heavy securities for his good behaviour.
A Tale of the Great Plague (c.1840) | Thomas Hood
Thomas Hood (1799–1845) was born in London and, his father being a bookseller, grew up around books. He went on to become a poet, novelist, and satirist. Most famous for his poetry, William Michael Rossetti in 1903 declared him “the finest English poet” between the generations of Shelley and Tennyson.” Although by their nature pandemics are very serious affairs, this particular short story takes a somewhat lighter approach to portraying a pandemic.
Song to Freedom (1835) | Charles Cole
While the Spirit within me awakens to song,[1] The strain, lovely Freedom! to thee shall belong ; Where’er thou art fetter’d, where’er thou art free, While I waken the lyre, it shall […]
The Early Works of Eugene Sue | G. W. M. Reynolds
His style reminds us of Cooper’s most approved nautical fictions, rather than of the coarse and vulgar “yarns” so tediously spun by Captain Marryat. He introduces us to scenes and adventures of stirring and painful interest.
De Balzac’s Works | G. W. M. Reynolds
A page of his book an echo to the tablet of his memory; and hence does he occasionally detail minutely those feelings and passions which the generality of authors usually express in one word.
Delight in Freedom (1835) | Charles Cole
The following poem was written by Charles Cole and originally appeared in A Poetical Address to his Grace the Duke of Wellington (1835). It has been transcribed by Stephen Basdeo.
To the Man Who Betrayed a Woman to her Foes (1832) | Victor Hugo
The Political notions of the poet must not be judged by this Song. In condemning the conduct of an individual, who betrayed a woman to her enemies, he does not vituperate the subsequent measures which were necessarily adopted with regard to that noble personage: he simply anathematizes the name of a wretch, whose heart, devoid of all kind feelings of gratitude—of respect—and of pity, was corrupted by gold, and rendered subservient to the designs of his employers.
Poland (1833) | Victor Hugo
Victor Hugo’s poem ‘Poland’ was originally written in 1833 and published in Les Chants des Crepuscules. It was later translated into English by George W.M. Reynolds in Songs of Twilight (1836), which has recently been published as a single volume, transcribed by Stephen Basdeo.
Eugene Sue’s “Mysteries of the People” (1848): “The Poniard’s Hilt” and the Arrival of Feudalism in France | Stephen Basdeo
By Stephen Basdeo, a writer and historian based in Leeds, United Kingdom. This article follows on from previous posts on Eugene Sue’s epic socialist novel Mysteries of the People. In 1848 Karl […]
New Edition of Victor Hugo’s Songs of Twilight | Stephen Basdeo and Jessica Elizabeth Thomas
In this book, therefore—small though it be when compared with the vast magnitude of its subject—there are a thousand discrepancies—lustre and obscurity, which pervade all we see, and all we conceive in this age of twilight, which envelope our political theories, our religious opinions, our domestic life, and which are even discovered in the histories we write of others, as well as in those of ourselves.
Napoleon II (1832) | Victor Hugo
The following poem appeared in Victor Hugo’s Chants des Crepuscules (1835) and was translated by G.W.M. Reynolds. It celebrates Napoleon’s son, Napoleon, who died too young and had no contact with father after the emperor was exiled to St Helena.
The Historian and His Cat | Stephen Basdeo
In the midst of this wreck of ancient books and utensils, with a gravity equal to Marius among the ruins of Carthage, sat a large black cat.
Bridal Festivity (1832) | Victor Hugo
‘Bridal Festivity’ was written by Victor Hugo in August 1832 and published in his Chants des Crepuscules. The poem itself takes a somewhat dark turn towards the end, as readers will see. Perhaps this was an allegory on the dangers that awaited the French ruling classes
If Thou Hast Lost a Friend (1853) | Charles Swain
Charles Swain’s poem ‘If thou hast lost a friend’ appeared in the London Journal in 1853 and has been transcribed by Stephen Basdeo
The Sea (1845) | G. W. M. Reynolds
The following poem, titled ‘The Sea’, was written by G.W.M. Reynolds and first appeared in the London Journal in 1845. It has been transcribed by Stephen Basdeo.
Meeting Eugene Sue in 1832 | G. W. M. Reynolds
“He appeared to me to be a West Indian, born of European parents; for his complexion is darker than even that of a Spaniard, and his hair black as jet. His face was at that time singularly handsome.”