This is a short story by Susannah Reynolds, printed in Reynolds’s Monthly Magazine, December 1838. The story has been transcribed by Jessica Elizabeth Thomas.
The greatest and most fatal error in the annals of the world was suffering the growth and formation of an Aristocracy; it is the direst plague with which this earth is cursed, filling it with eternal bitterness.
G.W.M. Reynolds launched a personal crusade against army brutality, speaking out against it in both his fiction and his journalism.
In the 1850s the United Kingdom became home to a number of European refugees who fled political persecution. Welcome to the Refugees celebrates the arrival of persecuted people on British shores.
His memory, unrelieved by one noble trait, one magnanimous action, or one pure sentiment, comes down to us in chronicles, lay and secular, as one violent and tyrannical. A perfidious friend, an encroaching neighbour, a heartless and ungenerous relation.
Socialism “is one of those primordial indestructible ideas, which the hand of God has engraved in human consciences, and which are perpetuated from age to age, and whose development forms an unbroken tradition through the world’s ages.”
Eliza Cook (24 December 1818 – 23 September 1889) was an English author and poet associated with the pro-democracy Chartist movement.
A poem titled Forgive and Forget first published in 1850 in Home Circle | Subscribe Now
The following poem was written in 1857 by F.W. Alexander and printed in Reynolds’s Miscellany. Little is known about the poet; they were in all likelihood not a professional poet but had a day job and simply contributed a few lines to Reynolds’s Miscellany, which often published contributions from readers.
There is no country on the face of the earth where despotisms prevails with more horrible atrocity than in Canada. We can well conceive the sort of sympathies entertained by the Melbourne and Russell government, when they permitted that splendid colony to be devastated by inhuman fiends, whose names shall be consigned to eternal infamy, as samples of the cannibal spirit of aristocratic domination. May our beneficent CREATOR grant that the British People may yet prove the liberators of the brave, bleeding, and prostrate Canadians!
A Victorian-era tale of woe and adversity for a brother and sister abandoned by their parents.
An anonymously written song from 1839 urging the Victorian working classes on to revolution: Awake! the torpor of this dream, / This icy weight on Feeling’s stream— / This dull yielding to your foes / Invites and justifies their blows!.
“I venture to predict the following improvements: Improvements which time may verify when the hand that now writes them, has long mouldered in the clammy soil.”
Humans have always expressed a ‘fear of the end’ in literary and artistic terms. The first apocalypse stories in Western culture came to us from the Bible, with Noah’s Flood giving us the archetypal ‘last man’ or ‘small group of survivors’ motif that has persisted in many retellings of the end times.
Google News is a news aggregator, developed in 2006, which collates the daily feeds of over 20,000 news publishers’ content. Compared to that huge number, Reynolds’s News and Miscellany admittedly looks like “small fry”. But Google’s rules for inclusion in Google News are quite strict.
A poem originally written by Susannah Frances Reynolds and published in the Teetotaler. Transcribed by Stephen Basdeo and Jessica Elizabeth Thomas
It was these interesting characters that represented the new cosmopolitan elite of 18th-century London. In the characters of Mister Spectator’s club was a microcosm of the people who mattered in society: the aristocracy and the middle classes.
Distinguished G W M Reynolds specialist, Prof. Louis James, talks about Reynolds’s only known play.
Professor Rohan McWilliam gives his own account of how he was introduced to the life and work of George W M Reynolds
The deepest despair now seized upon all the survivors. Scarcely a family but had lost half of its number—many, more than half—while those who were left felt assured that their turn would speedily arrive. Even the reckless were appalled, and abandoned their evil courses. Not only were the dead lying in the passages and alleys, but even in the main thoroughfares, and none would remove them. The awful prediction of Solomon Eagle that “grass would grow in the streets, and that the living should not be able to bury the dead,” had come to pass. London had become one vast lazar-house, and seemed in a fair way of becoming a mighty sepulchre.
A poem written by Victor Hugo in 1835: The hall is gay with limpid lustre bright/The feast to pampered palate gives delight/The sated guests pick at the spicy food,/And at that table—where the wise are few/Both sexes and all ages meet the view;/The sturdy warrior with a thoughtful face—/The am’rous youth, the maid replete with grace,/The prattling infant, and the hoary hair.
It was in the year 1785—on a fine evening, in the month of May —that three young students, in the uniform of the Military College of Paris, were occupied in the pleasant discussion of a repast in the restaurant at St. Cloud which overlooks the park, and which every visitor of the present day to that sacred shrine of gastronomy knows by the name of Legriel’s. The first of the three individuals, whom we have thus abruptly alluded to, was about sixteen years of age, with a peculiar expression of countenance, which inspired respect rather than any softer feeling, and a blue eye that was in itself a soul. His companions were his juniors—probably by about a few months; and they were two fine, tall, handsome young men, with commanding though graceful figures, and eagle glances which bespoke all the military enthusiasm that filled their bosoms.
The following poem was written by Victor Hugo during the 1830s and first translated into English in a book titled “Songs of Twilight” by G.W.M. Reynolds.
Suddenly the middle classes “saw themselves” in fiction, so to speak. The next major novelist, Samuel Richardson, also wanted to give readers a “realistic” novel. In 1740, he published Pamela; or, Virtue Rewarded. This novel, set in readers’ own times (the 1700s for 1700s readers) was written as though it was a series of letters written by the title character, Pamela, a servant girl in the household of Lord B——, to her poorer family in the country. This format, used by many novelists since, including Bram Stoker, the author of Dracula, became known as the epistolary novel. Now, Pamela was a pure and virtuous girl, but her depraved master, Lord B, is infatuated with her. He offers her many fine things, which she refuses, because she is virtuous. He spies on her undressing through the keyhole of her room, and even attempts to rape her, but she resists him. Then at the end of the novel, Lord B is so impressed with her virtue that he marries her, to which she eventually consents, for she has in fact fallen in love with him. Richardson’s message was clear: if a woman holds on to her virtue (if she doesn’t have sex before marriage) then she will be rewarded, either in this life or the next.