In 1817 the press, politicians, and the public had Robert Southey in their sights; a play, written nearly 2 decades previously and containing “problematic” ideas, was unearthed. A media storm ensued. But instead of pandering to the media mob Southey refused to apologise and, what is more, called out his critics’ hypocrisy.
“Whether the Robin Hood traditions are wholly fact or fiction is a matter of little moment … I prefer to take him as I find him, and I find him, according to the best traditions, a most picturesque figure moving amid noble scenery, and doing deeds of gallantry and kindness. There were so few men in his day who spoke words of ruth to the poor, who were superior to base temptations … so we will hold fast to Robin Hood, and his merry men, and his Maid Marion, and his bravery and mercy.”
The Basdeo family has a sordid murder-suicide among its Victorian ancestors. Even worse, insanity was thought “to run in the blood”….
“Something more goes to the composition of a fine murder than two blockheads to kill and be killed—a knife—a purse—and a dark lane. Design, gentlemen, grouping, light and shade, poetry and sentiment, are now deemed indispensable to attempts of this nature.”
I recently got hold of a “Commonplace Book” which dates from 1859. Commonplace books have been a feature of home life since at least the 1600s. Most often women—though not exclusively women—would compile various poems, drawings, or copy out “advice columns” from books and newspapers into these books for keeping later on.
There stood train, its three classes, first, second, and third. “Good Heavens!” I exclaimed, and are not men equal? Have not these cursed distinctions of rank been yet levelled by the roar of the speeding steam? But I, for one, will never give in to aristocratic institutions. So saying, I got into the coupée of a first-class carriage…
A thin shawl was drawn over her shoulders; her dress was ragged and worn, her face deathly pale…In her pocket was found the remnant of the crust, and a copy of verses printed on red paper.
“My father would smash everythin’ he could reach and knocked my mother round awful so I ran away.”
It would have fallen to the lot of a poorly paid Victorian governess to practice playing Robin Hood with children in the nursery.
To make more room for the procession the police constables begin pushing people back. Charles Sweet was at the front of the line and received a blow on the head from a policeman’s cutlass. His head started gushing with blood. He died a few days later.
One of my favourite writers of the nineteenth century was George William MacArthur Reynolds. Although we know him primarily as a journalist and novelist today, he composed original poetry in practically all of his novels.
Although Wat Tyler’s rebellion failed, the story was retold in plays, poetry, novels, and the rebels’ names were used as aliases in protests through the ages—this post looks at the first every play written about the events of the Peasants’ Revolt.
Unlike that other medieval hero and man of the people, Robin Hood, Wat Tyler does not enjoy an extensive ballad “afterlife.”
This song, first published in The Garland of Delight (1612), is perhaps the first proper ballad which features the famous rebel. It was subsequently published by Thomas Evans in “Old Ballads, Historical and Narrative” (1777) during the “age of ballad scholarship.” Presented here is a transcription of the song.
A post I wrote for the G.W.M. Reynolds Society
In 1714 George I of Hanover ascended to the throne of the United Kingdom. Many were unhappy with their new German king and the Earl of Mar, in 1715, raised the standard of the royal house of Stuart to win back the throne for the “true” king in exile, the son of James II. A leading journalist decided to mock the rebels.
St George’s Day seems as fitting time as ever to publish a “new” Robin Hood poem I found titled “Saxon Grit” in the archives of a long-defunct Christian socialist magazine titled The Labour Prophet in 1892.
The British people and the American people did not always like each other. The Americans had broken away from the empire in 1783 and relations remained frosty for over a century. But in the late Victorian era, British writers’ feelings about Americans began to change.
How did the most famous gangster movie of all time shape people’s perceptions of the Italian-American community? Angelo Calfo investigates.
The group consists of eight members tasked by a man named the Professor to conduct a multi-day assault on the Royal Mint of Spain. But how far do the gang in Money Heist represent a bona fide organized crime gang?
1660: England’s great republican leader, Oliver Cromwell, had died. A new king ascends the throne. Theatres had reopened. What better way to enjoyn yourself than watching the latest Robin Hood play?
This book, highly recommended, is an excellent buy for any general reader who wishes to find out about the life of a famous forgotten Victorian crime novelist.
‘The truth and nothing but the truth’—it’s a well-known phrase used in courts of law and most of us have heard it on TV dramas. But where did the phrase first come from?
Ratsey was a hardened offender who disdained honest work and turned to crime to live extravagantly. Little did he know that the account his life, a pamphlet titled “The Life of Gamaliel Ratsey” (1605) kick-started the “true” crime genre of popular literature.
Universal suffrage was not achieved in England until 1918. However, a century-and-a-half before, one brave aristocrat proposed that all men have the right to vote. And he proposed this in the House of Lords of all places!